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Mike Post Biography
Mike Post, born Leland Michael Postil, is an American musician, composer, songwriter, arranger and producer best known for his television theme songs for series such as Law & Order, Law & Order: SVU, The A-Team, NYPD Blue, Renegade, The Rockford Files, L.A. Law, Quantum Leap, Magnum, P.I. and Hill Street Blues. He has long been consered the most successful composer in television history.
Mike Post Age
He was born on September 29, 1944 in Berkeley, California, USA.
Mike Post Family
Born on September 29, 1944 in Los Angeles, California, USA, Mike Post is a Composer, Music Department, Soundtrack.
Mike Post was born in San Fernando, California. He became a musician for acts as diverse as Sammy Davis Jr., Dean Martin, Kenny Rogers, Sonny Bono and Cher, and played guitar on the latter team’s 1965 hit “I Got You, Babe.”
Mike Post Classical Gas
Two years later, Post won his first Grammy Award for the production and arrangement of the Mason Williams track “Classical Gas.” Post’s television career began when, at the young age of 24, he was appointed musical director of The Andy Williams Show (1969).
A later assignment, the cop show Toma (1973), introduced Post to producer Stephen J. Cannell, who hired him on the ic The Rockford Files (1974).
The memorable theme became Post’s first, but by no means last, television instrumental to become a radio crossover hit, earning him a Grammy.
Often in collaboration with Pete Carpenter, Post has directed well over two thousand hours of both dramatic and comedic television, most notably on Hill Street Blues (1981), NYPD Blue (1993) and his first Emmy-winning film, Murder One (1995).
Mike Post Spouse|Divorce
He married Patty McGettigan, unfortunately the marriage dn’t last. He later married a second wife, Darla Eyer, on August 29, 1966, and was blessed with two children, Aaron and Jennifer.
Mike Post Music
Post’s first recognized work in music was cutting demos featuring two singing sisters, Terry and Carol Fischer. With Sally Gordon they became The Mermas.
Their first single “Popsicle’s and Icicles” (written by Dav Gates) was a number 3 hit in January 1964.
Post also gave early tutoring to garage rock band The Outcasts while she was in basic training in San Antonio, Texas.
He was the songwriter and producer for both songs on the band’s first single, released in 1965, and also arranged a local concert where they acted as a back-up band.
At age 23, he won his first Grammy for Best Instrumental Arrangement of Mason Williams’ “Classical Gas,” a #2 hit in 1968.
He is also credited with producing Williams’ LP that contained this song, The Mason Williams Phonograph Record.
Dubbed the Mike Post Coalition, their track “Afternoon of the Rhino” became a coveted northern soul track. The single peaked at number 47 on the UK Singles Chart in August 1975.
Post also worked with Kenny Rogers and produced the first three albums he recorded with his country/rock group The First Edition (between 1967 and 1969).
Post also produced Dolly Patton’s hit 1981 album 9 to 5 and Odd Jobs. Much later, in 1997, he produced Van Halen’s album Van Halen III.
Mike Post Theme Songs
One of his first television jobs began at the age of 24 as musical director of the Andy Williams Show.
Another early job was writing the theme music for the short-lived detective series Toma in 1973, but his big break (along with co-composer Pete Carpenter) came the following year with his theme song for The Rockford Files, another series from producer Stephen J .Cannell.
The theme was also played on the Top 40 Crossover Radio Shows and earned a second Grammy for Post.
The theme “The Rockford Files” became a top 10 hit in both the US (#10) and Canada (#8). It is the 85th greatest US hit of 1975 and the 84th greatest Canadian hit of 1975.
Subsequently, in 1981, Post won a Grammy for Best Instrumental Composition for the themes of the television shows Hill Street Blues and L.A.
Law in 1988, and another Grammy in 1981 for Best Instrumental Performance for the Hill Street Blues Theme, which also peaked at #10 in the US.
Law & Order’s “Dun, Dun” sound
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Post won an Emmy for his theme music Murder One and had previously been nominated for NYPD Blue, among others.
He has won BMI Awards for music on L.A. Law, Hunter and the various Law & Order series. The theme for The Greatest American Hero (co-written with Stephen Geyer) is one of the few television themes to reach #2 on the Billboard Hot 100 as a single album. The “Dun, Dun” sound effect he created for The Law & Order franchise has entered popular culture.
At the height of his career, Post was the composer of choice for all series created by Donald P. Bellisario, Steven Bochco, Stephen J. Cannell, and Dick Wolf.
Due to the significant amount of music to be created, Post operated a multi-composer office, including Walter Murphy, Velton Ray Bunch, Frank Denson, Jerry Grant, and Greg Edmonson, all composing se-by-se in booths.
Each wrote music cues to complement specific scenes from each show in Post’s signature
Other TV musical works include The A-Team, Baa Baa Black Sheep, Blossom, The Commish, Doogie Howser, M.D., Greatest American Hero, Hardcastle and McCormick, Hooperman, Hunter, Magnum, P.I., NewsRadio, Profit, Quantum Leap, Renegade, Ripte, Silk Stalkings, Stingray, Tales of the Gold Monkey, Tenspeed and Brown Shoe, The White Shadow, Wiseguy, BBC series Roughnecks, Law & Order and Philly.
In 1994, Post directed filming for the Diagnosis: Murder episode How To Murder Your Lawyer, which was designed as a backdoor pilot for a legal drama series.
In 2014, Post composed the score for the fake TV pilot Caged Heat in the Marvel one-shot All Hail the King for Marvel Studios.
Mike Post Invention From Blue Line
In 1994, Post released a CD entitled Inventions from the Blue Line. The CD contained several of his well-known titles, including NYPD Blue, but also Law & Order, Silk Stalkings and Renegade.
In the liner notes, he spoke about his late father, Sam Postil, and the admiration for police officers that Sam inspired in Mike. He also referred to the police force by the traditional nickname “Blues”, as in The Thin Blue Line (referring to the police force in general and police camaraderie).
One of the tracks is called “The Blue Line”, which Post calls “the comradery theme”.
Mike Post Albums
1969: Merged (as The Mike Post Coalition); Warner Bros. – Seven Arts (LP).
1975: Railhead Overture; MGM (LP).
1982: TV Cover Songs; Electra (LP).
1988: Music from LA Law and Other; Polydor (LP).
1994: Blue Line Inventions; American gramaphone (CD).
Mike Post Singles
“The Rockford Files”.
“Manhattan Spiritual”.
“Theme from The Greatest American Hero.
“The Theme from the Hill Street Blues”.
“Theme by Magnum P.I.”.
“Theme from LA Law”.
Mike Post Awards
Grammy Awards
Year Album/Track Award.
1988 T L.A. Law Best Instrumental Composition (Except Jazz).
1981 T Theme From ‘Hill Street Blues’ Best Instrumental Composition (Except Jazz).
1981 T-Theme from Hill Street Blues, Best Pop Instrumental Performance.
1975 T Rockford Files for Best Instrumental Arrangement.
1968 T Classical Gas Best Instrumental Arrangement.
Mike Post Net worth
Mike has a net worth of $600,000.
Mike Post Hill Street Blues
“Hill Street Blues” is a 1981 instrumental piece by Mike Post. It is the theme from the television series Hill Street Blues starring Daniel J. Travanti. The song features Larry Carlton on guitar.
The song stayed on the charts for over five months, reaching #10 on the U.S. Billboard Hot 100. It became an adult contemporary hit in the US and Canada. It became Post’s second Top 10 hit, matching the performance of his first hit in 1976, “Theme from the Rockford Files”. The song also charted in the UK
Hill Street Blues was covered by jazz pianist Rodney Franklin on his 1981 LP Endless Flight.
Mike Post Law And Order
When composer Mike Post was commissioned to create music for Law & Order (and its endless offshoots), he had one task: to get the audience excited. He d.
Perhaps Post wanted to take audiences down a disturbing—yet seductive—path; one that reflects the journey of Olivia Benson and her comrades in every episode. Perhaps he wanted to embody the misery and depravity deeply embedded in New York’s crime world. Rumor has it that if you listen closely enough you can even hear the sound of a hammer in the “dun” “prison cell lock”. And it manages to sound like a dark and menacing steel door closing behind you.
Twenty years after its debut, Post’s “dun dun” still enchants people. But why? It’s amazing how a second and a half long sound effect could essentially become a household name (..or noise). It even claims fame and notoriety in popular culture, as Pete Townshend wrote the song “Mike Post Theme” on The Who’s eleventh studio album, Endless Wire.
Mike Post began writing music for early garage rock band The Outcasts and won his first Grammy at age 23 for his best instrumental arrangement for Mason Williams’ 1968 hit “Classical Gas.” After seeing the work of Kenny Rogers and Dolly After producing Parton’s 1981 album 9 to 5, Post focused on Hollywood, where he wrote television themes for a number of programs including The A-Team, NYPD Blue, The Rockford Files, L.A. Law, Magnum, P.I., and of course Law & order.
But it wasn’t even the Law and Order theme that started the hype. It was a simple sound effect of a second and a half. Entertainment Weekly dubbed it “that ominous Chung CHUNG sound that accompanies scene changes,” one “that chills the blood,” going so far as to claim that it “does its dark work effectively.”
The intended effect of the “dun dun” is up for debate. Maybe it’s trying to chill the audience; to wake them up to the fiendish mess that is the New York City crime scene. Or maybe Post just liked the noise of 500 Japanese men stomping their feet on a wooden floor..which I promise isn’t urban legend, but a legitimate part of what makes the “dun dun” noise. Likely a “monstrous kabuki event,” according to the New York Daily News.
There is something to be sa about the powers of “Dun Dun” (and Post’s theme song more broadly). It has a strange and almost uncanny effect on babies and dogs.
“The second the song starts [my baby] breaks free and I have to stand her up so she can dance to it. Hands in the air and everyone smiles. I’m not kding,” Christine sa in a forum on BabyCenter aptly titled “My baby loves the Law & Order theme song.”
Mike Post The Rockford Files
“The Rockford Files” is a 1975 instrumental track by Mike Post and co-composer Pete Carpenter. The song is the theme from the TV series The Rockford Files starring James Garner. It appears at the beginning and end of each episode with different arrangements. Throughout the show’s run, the title track underwent numerous evolutions, with later versions featuring a distinct electric guitar-based brge section played by session guitarist Dan Ferguson.
The song stayed on the charts for four months and became a Top 10 hit in August 1975 in the US (No. 10 for two weeks) and Canada (No. 8). It was also a top 20 adult hit in both countries.
“The Rockford Files” won a Grammy Award for Best Instrumental Arrangement in 1975.
The B-se (or “flip-se”) track entitled “Dixie Lullabye” was also composed by Post and Carpenter.
Who wrote Rockford Files theme song?
Who wrote a team theme song?
Who created the law and order theme song?
Mike Post—musician, composer, arranger and producer has long been considered the most successful composer in television history. His career in television started in 1970. Over the years, he’s written the music for seven thousand hours of TV including: Law & Order: Special Victims Unit.
Who played guitar on The Rockford Files theme song?
Throughout the show’s tenure, the theme song went through numerous evolutions, with later versions containing a distinct electric guitar bridge section played by session guitarist Dan Ferguson.
Where did Mike Post go to college?
Where was Rockford Files filmed?
Visit to where the Rockford Files was filmed. – Review of Paradise Cove Beach Cafe, Malibu, CA – Tripadvisor.
Who wrote The Greatest American Hero theme song?
Who owns the A Team theme song?
| The A-Team | |
|---|---|
| Theme music composer | Mike Post Pete Carpenter |
| Composers | Mike Post Pete Carpenter Garry Schyman (uncredited) |
| Country of origin | United States |
| Original language | English |
Who played guitar on the law and order theme?
Musician Dave Rucci who previously played ten iconic riffs with one finger on one string, played an brilliantly accurate cover of the distinctive title theme for the long-running spinoff series Law and Order: Special Victims Unit using only his acoustic guitars.
What makes the Dum Dum sound on law and order?
In a 1993 interview with Entertainment Weekly, three years after Law & Order premiered, composer Mike Post explained how he created the sound. “I think of it as the stylized sound of a jail cell locking,” he said. “I wanted to add something that’s very distinctive but not a literal sound.
What is the Doink Doink sound on law and order?
According to series composer Mike Post, the sound symbolizes the slamming of a jail cell door (via Entertainment Weekly). “I think of it as the stylized sound of a jail cell locking,” Post told Entertainment Weekly in 2003.
What is the dun dun sound?
dun, dun, duuun! Its origins are a mystery. Taken together, these three duns are what’s known as a sting – a brief bit of music that media producers can use to break up the action or punctuate a theatrical moment.
What kind of car did Jim Rockford Drive?
Rockford’s 1974 Pontiac Firebird Esprit Features
The original “Rockford Files” Firebird was a 1974 Esprit. It has a blazing gold exterior, tan interior and a 400-cubic inch engine. All the vehicles used in the show were from Pontiac.
How many cars were used in the Rockford Files?
“The Rockford Files” used three cars every season: the hero or “beauty” car, the action car and the damage car. The crew wired one of them inside and out with microphones to pick up the sounds of the street and the car itself.
Does Jim Rockford get married?
At some time between the end of the series proper (1980) and the first of the Rockford Files television-movies, “The Rockford Files: I Still Love L.A.” (filmed in 1994, but set in 1992 and ’93), Jim married attorney Halley “Kit” Kittredge (Joanna Cassidy), who appeared in this TV movie.
The Rockford Files Cast Then and Now (2022)
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Images related to the topicThe Rockford Files Cast Then and Now (2022)
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Mike has a net worth of $600,000. Mike Post Hill Street Blues. “Hill Street Blues” is 1981 instrumental by Mike Post. It is the theme from the TV series Hill …
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Mike Post – Wikipedia
Mike Post is an American composer, best known for his TV theme music for various shows, including Law & Order; Law & Order: SVU; The A-Team; NYPD Blue; …
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Mike Post Wiki, Biography, Age, Wife, Family, Net Worth
Mike Post is an American composer, best known for his TV theme music for various shows, including Law & Order; Law & Order: SVU; The A-Team; NYPD Blue; …
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Mike Post
American composer, record producer
musical artist
Mike Post (born Leland Michael Postil; September 29, 1944) is an American composer best known for his television-themed music for various shows including Law & Order; Law and Order: CSR; The A Team; NYPD Blue; apostate; The Rockford Files; L.A. Law; quantum leap; Magnum, P.I.; and Hill Street Blues.
Early musical career[edit]
Post’s first recognized work in music was cutting demos featuring two singing sisters, Terry and Carol Fischer. With Sally Gordon they became The Murmaids. Their first single “Popsicles and Icicles” (written by David Gates) was a number 3 hit in January 1964.
Post also provided early coaching for garage rock band The Outcasts during their recruit training in San Antonio, Texas. He was the songwriter and producer for both songs on the band’s first single, released in 1965, and also arranged a local concert where they acted as backup band.
At age 23, he won his first Grammy Award for Best Instrumental Arrangement of Mason Williams’ “Classical Gas,” a #2 hit, in 1968. He is also credited as the record producer for Williams’ LP, which included the song “The Mason Williams” contained vinyl.
Dubbed the Mike Post Coalition, their track “Afternoon of the Rhino” became a coveted northern soul track.[2] The single peaked at number 47 on the UK Singles Chart in August 1975.
Post also worked with Kenny Rogers and produced the first three albums he recorded with his country/rock group Kenny Rogers and The First Edition (between 1967 and 1969). Post also produced Dolly Parton’s 1981 hit album 9 to 5 and Odd Jobs. Much later, in 1997, he produced Van Halen’s album Van Halen III.
TV theme music[edit]
One of his first television jobs began at the age of 24 as musical director of the Andy Williams Show. Another early job was writing the theme music for the short-lived detective series Toma in 1973, but his big break (along with co-composer Pete Carpenter) came the following year with his theme song for The Rockford Files, another series from producer Stephen J .Cannell. The theme was also featured on the Top 40 Crossover Radio Shows and earned a second Grammy for Post.[4]
The theme “The Rockford Files” became a top 10 hit in both the US (#10) and Canada (#8).[5] It is the 85th greatest US hit of 1975[6] and the 84th greatest Canadian hit of 1975.[7]
Post went on to win Grammys for Best Instrumental Composition for the themes on the TV shows Hill Street Blues in 1981 and L.A. Law in 1988, and another Grammy in 1981 for Best Instrumental Performance for the Hill Street Blues Theme, which also earned #10 in the USA reached USA[4]
Post won an Emmy for his theme music Murder One and had previously been nominated for NYPD Blue, among others. He has won Broadcast Music, Inc. Awards for music on L.A. Law, Hunter and the various Law & Order series. The theme for The Greatest American Hero (co-written with Stephen Geyer) is one of the few television themes to make a #2 single on the Billboard Hot 100. The “Dun, Dun” sound effect he created for the Law & Order franchise has entered popular culture.[8]
At the height of his career, Post was the composer of choice for all series created by Donald P. Bellisario, Steven Bochco, Stephen J. Cannell, and Dick Wolf. Due to the significant amount of music to be created, Post operated a multi-composer office, including Walter Murphy, Velton Ray Bunch, Frank Denson, Jerry Grant, and Greg Edmonson, all composing side-by-side in booths. Each would write music cues to compliment specific scenes from each show in Post’s signature style.
Other TV music works include The A-Team, Baa Baa Black Sheep, Blossom, The Commish, Doogie Howser, M.D., The Greatest American Hero, Hardcastle and McCormick, Hooperman, Hunter, Magnum, P.I., NewsRadio, Profit, Quantum Leap, Renegade , Riptide, Silk Stalkings, Stingray, Tales of the Gold Monkey, Tenspeed and Brown Shoe, The White Shadow, Wiseguy, BBC series Roughnecks and Philly.
In 1994, Post directed the music for the Diagnosis: Murder episode How To Murder Your Lawyer, which was designed as a backdoor pilot for a legal drama series.
In 2014, Post composed the score for the fake TV pilot Caged Heat in the short film All Hail the King for Marvel Studios.
Blue Line Inventions[ edit ]
In 1994, Post released a CD entitled Inventions from the Blue Line. The CD contained several of his well-known titles, including NYPD Blue, but also Law & Order, Silk Stalkings and Renegade. In the liner notes, he spoke about his late father, Sam Postil, and the admiration for police officers that Sam inspired in Mike. He also referred to the police force by the traditional nickname “Blues”, as in The Thin Blue Line (referring to the police force in general and police camaraderie). One of the tracks is called “The Blue Line”, which Post calls “the comradery theme”.
In popular culture[edit]
The Pete Townshend song “Mike Post Theme,” which alludes to the ubiquity of Post’s work in TV theme music, appears on The Who’s 2006 album Endless Wire.
BMI Foundation: The Pete Carpenter Grant[ edit ]
BMI’s David LaChance, Mike Post, Linda Livingston and Universal Music Group producer/writer Svoy
In 1989, the Broadcast Music, Inc. Foundation and Mike Post established The Pete Carpenter Fellowship in memory of the late Pete Carpenter, who was Post’s co-composer of television scores and themes including The Rockford Files (for which they won a Grammy), Hunter, Riptide, Hardcastle and McCormick, Magnum P.I. and the A team. The Pete Carpenter Fellowship is an annual, competitive residency for emerging television, film, and video game composers.[10]
Discography[ edit ]
Albums [ edit ]
Charting singles[ edit ]
The following singles credited to Mike Post have charted on the US Billboard Hot 100 chart[11] and/or the Adult Contemporary chart:
Mike Post Bio, Wiki, Age, Height, Family, Wife, Children, Theme Songs and Net Worth
Biography of Mike Post
Mike Post, born Leland Michael Postil, is an American musician, composer, songwriter, arranger and producer best known for his television theme songs for such series as Law & Order, Law & Order: SVU, The A-Team, NYPD Blue , Renegade, The Rockford Files, L.A. Law, Quantum Leap, Magnum, P.I. and Hill Street Blues. He has long been considered the most successful composer in television history.
Short Biography Full Names Leland Michael Postil Popular as Mike Gender Male Occupation Musician, composer, songwriter and producer Nationality American Race/Ethnicity White Religion Unknown Sexual orientation Hetero
Mike Post Age and Birthday
Mike will be 78 years old in 2021. He was born on September 29, 1944 in Berkeley, California, USA. He celebrates his birthday every September 29th. His zodiac sign is Libra.
Age and birthday Age: 78 years (as of 2022) Zodiac sign: Libra Date of birth: September 29, 1944 Place of birth: Berkeley, California, USA. Birthday: 29.09
Height and weight of Mike Post
Post is at an average height. He appears to be quite large in his photos relative to his surroundings and all that entails. However, details of his actual height and weight are not publicly available at this time. We will update this section as information becomes available.
Height and Weight Height to update. Weight to update
Other body measurements
Eye Color Brown Hair Color Gray Shoe Size Updating Triceps Updating Chest Size Updating Body Type Updating Biceps Updating
Mike Post Education
Details of his educational background, including the schools and colleges he attended, are not available at this time. We will update this section as soon as we receive them.
Education School To be updated College/ University To be updated Highest qualification To be updated
Mike Post Family, Parents and Siblings
Mike was born and raised by his parents in Berkeley, California. Our efforts to find out more about his family have been unsuccessful as such information is not publicly available. Thus, the identity of Post’s parents is still unclear. It is also not known if he has siblings. We will update this section as soon as this information becomes available.
Mike Post’s picture
Family members father (father) to be updated mother to be updated brothers to be updated sister(s) to be updated
Mike Post wife and children
Post married Patty McGettigan, unfortunately the marriage didn’t last. He later married a second wife, Darla Eyer, on August 29, 1966.
Mike Post kids
Mike and his wife Darla Eyer are blessed with two children, Aaron and Jennifer.
Marital Status Name Marital Status Married Wife/Partner Darla Eyer Children Two (Aaron and Jennifer)
Mike Post’s net worth
Post has an estimated net worth of $3 million as of 2022. This includes his wealth, money and income. His main source of income is his career as a musician, composer, songwriter, arranger and producer. Through his various sources of income, Mike has been able to amass a fortune but prefers to lead a modest lifestyle.
Salary and Networth Salary N/A Net Worth $3 million Source of income His career as a musician
Mike Post music career
Post’s first recognized work in music was cutting demos featuring two singing sisters, Terry and Carol Fischer. With Sally Gordon they became The Mermaids. Their first single “Popsicle’s and Icicles” (written by David Gates) was a number 3 hit in January 1964.
Post also gave early tutoring to garage rock band The Outcasts while she was in basic training in San Antonio, Texas. He was the songwriter and producer for both songs on the band’s first single, released in 1965, and also arranged a local concert where they acted as backup band. At age 23, he won his first Grammy for Best Instrumental Arrangement of Mason Williams’ “Classical Gas,” a #2 hit in 1968.
He is also credited with producing Williams’ LP that contained this song, The Mason Williams Phonograph Record. Dubbed the Mike Post Coalition, their track “Afternoon of the Rhino” became a coveted northern soul track. The single peaked at number 47 on the UK Singles Chart in August 1975.
Post also worked with Kenny Rogers and produced the first three albums he recorded with his country/rock group The First Edition (between 1967 and 1969). He also produced Dolly Patton’s hit albums 9 to 5 and Odd Jobs in 1981. Much later, in 1997, he produced Van Halen’s album Van Halen III.
Mike Post theme songs
One of his first television jobs began at the age of 24 as musical director of the Andy Williams Show. Another early job was writing the theme music for the short-lived detective series Toma in 1973, but his big break came the following year with his theme song for The Rockford Files, another series from producer Stephen J. Cannell.
Post subsequently won a Grammy for Best Instrumental Composition for the themes of the TV shows Hill Street Blues in 1981 and L.A. Law in 1988, and another Grammy in 1981 for Best Instrumental Performance for the Hill Street Blues Theme, which also ranked No. 10 in the US reached US.
Mike Post Law & Order’s “Dun, Dun” sound
Mike has won BMI Awards for music on L.A. Law, Hunter and the various Law & Order series. The theme for The Greatest American Hero (co-written with Stephen Geyer) is one of the few television themes to make a #2 single on the Billboard Hot 100.
The “Dun, Dun” sound effect he created for the Law & Order franchise has entered popular culture. At the height of his career, Post was the composer of choice for all series created by Donald P. Bellisario, Steven Bochco, Stephen J. Cannell, and Dick Wolf.
Mike Post invention of Blue Line
In 1994, Post released a CD entitled Inventions from the Blue Line. The CD contained several of his well-known titles, including NYPD Blue, but also Law & Order, Silk Stalkings and Renegade.
In the liner notes, he spoke about his late father, Sam Postil, and the admiration for police officers that Sam inspired in Mike. He also referred to the police force by the traditional nickname “Blues”, as in The Thin Blue Line (referring to the police force in general and police camaraderie). One of the tracks is called “The Blue Line”, which Post calls “the comradery theme”.
Mike Post Albums
Merged (as The Mike Post Coalition); Warner Bros.-Seven Arts
Railhead Overture; MGM
television theme songs; Electra
Music from L.A. Law and Other; Polydor
inventions from the Blue Line; American gramophone
Mike Post singles
“The Rockford Files”
“Manhattan Spiritual”
“Theme from The Greatest American Hero
“The Theme from the Hill Street Blues”
“Theme from Magnum P.I.”
“L.A. Law Theme”
Mike Post Awards
Grammy Awards
Year Album/Track Award
T L.A. Law Best Instrumental Composition (Except Jazz)
T Theme from “Hill Street Blues” Best Instrumental Composition (Except Jazz)
T Theme from “Hill Street Blues”, the best pop instrumental performance
T Rockford submits Best Instrumental Arrangement
T Classical Gas Best Instrumental Arrangement
Frequently asked questions about Mike Post
Who is Mike Post? Mike Post, born Leland Michael Postil, is an American musician, composer, songwriter, arranger and producer best known for his television theme songs for series such as Law & Order and Law & Order: SVU. How old is Mike Post? Mike will be 78 years old in 2021. He was born on September 29, 1944 in Berkeley, California, USA. He celebrates his birthday every September 29th. How tall is Mike Post? Post is at an average height. He appears to be quite large in his photos relative to his surroundings and all that entails. However, details of his actual height and other body measurements are not publicly available at this time. Is Mike Post married? Post married Patty McGettigan, unfortunately the marriage didn’t last. He later married a second wife, Darla Eyer, on August 29, 1966. Does Mike Post have children? Mike and his wife Darla Eyer are blessed with two children, Aaron and Jennifer. How much is Mike Post worth? Post has an estimated net worth of $3 million as of 2020. This includes his wealth, money and income. His main source of income is his career as a musician, composer, songwriter, arranger and producer. Where does Mike live? For security reasons, he did not reveal his exact place of residence. We will update this information when we get the location and pictures of his home. Is Mike dead or alive? He is alive and in good health. There were no reports that she was ill or had any health problems. where is mike now Mike is still an active participant in the entertainment industry. He is still pursuing his career as a musician.
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Mike Post Biography, Age, Height, Wife, Net Worth, Family
His older 1962 classmates included Mickey Dolenz of the Monkees and Tom Selleck of Magnum P.I. Post spent his evenings in L.A. clubs, often performing with acts that had big names but few, if any, original members. He was the new “Paul” in Paul and Paula and a member of the Markettes after the founding members moved away. “It wasn’t much money, but it was definitely fun,” says Post. He graduated from high school (just to keep his parents happy), giggled with various rock groups and played in the house band at a famous topless club in San Francisco before realizing he had to go back to school to pursue music to study. A year later, armed with sight reading skills and the ability to notate music, he formed a ’60s folk ensemble, The Wellingbrook Singers, and toured the United States. After the group broke up, Post came off the street and into the recording studio. He began playing record, commercial and film dates; part of what would famously be known as The Wrecking Crew. Post played for virtually everyone active in the LA recording scene during this period. Most notably, he worked on all of Sonny and Cher’s early hits, beginning with I Got You Babe. Post’s ambition eventually led to a career on the other side of the glass. While working for producer Jimmy Bowen, he formed The First Edition with then-unknown bassist/vocalist Kenny Rogers. Post’s debut as a producer led to the group’s Top 5 single, I Just Dropped In (To See What Condition My Condition Was In). He next served as producer/arranger for Mason Williams’ The Mason Williams Phonograph Album – the LP that spawned the hit Classical Gas and earned Post his first Grammy, which was for Best Instrumental Arrangement. At age 24, he became post musical director of The Andy Williams Show, becoming the youngest musician in television history to hold such a position. He later returned to television as a producer for The Mac Davis Show. He also began designing stage shows, putting together acts for artists such as Dolly Parton and Ronny Milsap. However, Post’s most visible strength was composing dramatic music for television and film.
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