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Todd Daniel Sner (October 11, 1966) is an American singer-songwriter who incorporates Americana, alternative country and folk into his songs.

Todd Sner Net Worth : $ 3 Million

Let’s check out the updated Todd Sner Net Worth Income Salary Report 2021 given below:

Salary/income of Todd Sner:

Per year: $4,00,000. Per month: $32,000. Per week: $8,000

Per day:

Per hour:

Per minute:

Per second:

$1140

$19

$0.3

$0.05

Todd Sner Wiki

net worth

3 million dollars

Date of birth

1966-10-11

profession

Composer, Soundtrack, Actor

nicknames

Todd Sner, Sner, Todd

Todd Sner FAQ

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When was Todd Snider born?

Todd Daniel Snider (born October 11, 1966) is an American singer-songwriter whose music incorporates elements of folk, rock, blues, alt country, and funk. Nashville, Tennessee, U.S.

Is Todd Snider divorced?

The singer has undergone a turbulent, at times dangerous, past five years in the wake of his 2014 divorce. Snider, who has long struggled with back pain, spent his recent years abusing painkillers and opiates — “anything you can get, all of it” — before kicking the habit over the last 12 months.

Is Todd Snider married?

What guitar does Todd Snider play?

Snider plays the EJ-200 in his live performances, although he brought an Epiphone acoustic cutaway model to our office on this particular occasion. Watch the video below which highlights some of the features of the Epiphone EJ-200, as well as music and photos from the Todd Snider Session.

What genre is Todd Snider?

Who owns Aimless Records?

Ending 24-hours of drama and confusion, Todd Snider said today that he’s taken back control of Aimless Records after an unsuccessful quest to release the album under its former administration.


Ryan Tedder Net Worth 2022 : Biography Income Career Home

Ryan Tedder Net Worth 2022 : Biography Income Career Home
Ryan Tedder Net Worth 2022 : Biography Income Career Home

Images related to the topicRyan Tedder Net Worth 2022 : Biography Income Career Home

Ryan Tedder Net Worth 2022 : Biography Income Career Home
Ryan Tedder Net Worth 2022 : Biography Income Career Home

See some more details on the topic Todd Snider Net Worth, Income, Salary, Earnings, Biography here:

Todd Snider Net Worth, Income, Salary, Earnings, Biography

Todd Daniel Sner (October 11, 1966) is an American singer-songwriter who blends Americana, alt-country, and folk into his songs.Todd Sner Net Worth :

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Todd Snider’s Net Worth 2022 – How Much is Todd Worth Now?

Todd Sner is American Folk Singer who has a net worth of $100,000 – $1M at the age of 55. Todd Sner’s income source is mostly from being a successful Folk …

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Date Published: 9/5/2022

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Todd Snider – Net Worth, Age, Height, Bio, Birthday, Wiki!

According to our analysis, Wikipedia, Forbes & Business Inser, Todd Sner net worth is approximately $1.5 Million. Todd Sner Net Worth & Salary. Net Worth …

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Todd Snider Net Worth, Income, Salary, Earnings, Biography …

Todd Sner Net Worth, Income, Salary, Earnings, Biography, How much money make? · Todd Sner Net Worth : $ 3 Million · Todd Sner Wiki · Todd …

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Todd Snider’s Net Worth 2022 – How Much is Todd Worth Now

Todd Snider Net worth : Scroll down and check out the latest updates about Todd Snider Estimated Net worth, Biography and Occupation. We take a look at his current net worth, as well as Todd’s finances, earnings, salary and income.

Todd Snider net worth: $100,000 – $1 million

Todd Snider is an American folk singer who, at age 55, has a net worth of $100,000 to $1 million. Todd Snider’s main source of income is being a successful folk singer. He’s from Portland. Known for “Late Last Night” and “I Believe You”. He fused Americana, alternative country and folk in his music. At Net Worth Results, Todd Snider is a member of folk singers and famous celebrities.

biography

Todd Snider was born in Portland on October 11, 1966 and is best known as a folk singer. He was an assistant to John Prine. His album Agnostic Hymns and Stoner Fables was included in Rolling Stone’s list of the 50 Greatest Albums of 2012. According to CelebsInsights, Todd was not previously engaged. He co-wrote the song “Barbie Doll” with Jack Ingram. His family left his birthplace of Portland for Houston, but he desperately missed Portland and ran away from home at 15 to return to the city. He married Melita Osheowitz. !!Education!!

Full Name Todd Snider Occupation Folk Singer Age 55 Born 11 October 1966 Birthplace Portland Birth Sign Libra Ethnicity unknown Nationality American Religion unknown Last updated 2022

Todd Snider Net Worth

How much is Todd Snider worth, his annual salary and how rich is Todd at 55? Below we have estimated Todd Snider’s 2022 Net Worth, Net Worth, Income and Net Worth.

We aggregate wealth data from publicly available sources such as NetWorthTotals. Our staff do fact-checks to ensure our estimates are as accurate as possible.

Most of Todd Snider’s wealth comes from his work as a folk singer. Estimates of Todd Snider’s net worth vary as it is difficult to predict Todd’s spending habits and how much he will spend in recent years.

Net Worth in 2022 $100,000 – $1M (approx) Income in 2022 Outstanding Income Source Folk Singer Annual Salary Under Review Houses He lives in Portland. Cars This information is not available. Investments Investment data is checked.

The 55-year-old has been doing well and many are predicting that Todd Snider’s value and net worth will continue to grow in the future.

Todd Snider’s estimated net worth in 2022 is $100,000 – $1 million.

What does net worth mean?

Net worth is the sum of assets that exceed liabilities. Assets include cash, a home, a car, investments, artwork, and anything of value. Another way to understand this – the value of everything you own minus what you owe. Basically, your net worth is what you would have in cash if you sold everything you owned and paid off all your debts. Net income is what you actually bring home after taxes and payroll deductions.

Calculation of Net Assets: Assets – Debts = Net Assets. To calculate net worth, add up everything valuable, then subtract all liabilities. Net worth is not annual and is not the same as net income. Net income is what you actually bring home after taxes and payroll deductions like Social Security and 401(k).

What is the average American income?

Men earn an average salary of around $52,000 per year. By comparison, women earn around $42,000, and only 20% of Americans have household incomes over $100,000, according to the Bureau of Labor Statistics (BLS). Salaries vary based on gender, industry, profession, location, and other elements.

Todd Snider’s Quick Facts

1. He is a Libra.

2. His birthday is in .

3. Todd was born in the year of the horse.

4. His main source of income is folk singers.

5. He was born in Generation X (1966).

6. Todd Snider’s nickname: Todd.

7. Its ruling planet is Venus.

8. Todd’s spirit animal is a raven.

Net Worth, Age, Height, Bio, Birthday, Wiki!

Todd Snider Net worth, Birthday, Age, Height, Weight, Wiki, Fact 2021-22! In this article we will find out how old Todd Snider is. Who is Todd Snider dating now and how much money does Todd Snider have?

BRIEF PROFILE Father not available Mother not available Siblings not available Spouse Melita Snider Children not available

Todd Snider Biography Todd Snider is a famous folk singer who was born on October 11, 1966 in the United States. Known for “Late Last Night” and “I Believe You”. He fused Americana, alternative country and folk in his music. According to astrologers, Todd Snider’s zodiac sign is Libra. Todd Daniel Snider (born October 11, 1966) is an American singer-songwriter with a musical style that combines Americana, alternative country and folk. His family left his birthplace of Portland for Houston, but he desperately missed Portland and ran away from home at 15 to return to the city. He married Melita Osheowitz. After moving to Memphis, Tennessee in the mid-1980s and settling into a club called the Daily Planet, he was discovered by Keith Sykes, a member of Jimmy Buffett’s Coral Reefer Band. A longtime acquaintance of both John Prine and Walker, Sykes began working with Snider to advance his career. Prine hired him as an assistant and then invited him to opening shows. Over time, Buffett heard Snider’s demo tapes and signed him to his own label. Of his music, Snider said, “I was just trying to find the best… most open-hearted… most thoughtful lyrics I could think of. I wanted every song to be sad and funny at the same time, vulnerable and entertaining at the same time, personal and universal at the same time. I wanted each song to be written as uniquely as possible, and then I wanted to perform them in a studio loose and robust and hopefully as unique as possible. My hope is hard to describe and/or new… I’m not saying I am. I’m just saying, that’s the hope.”

Ethnicity, Religion and Political Views Many people would like to know what Todd Snider’s ethnicity, nationality, ancestry and race is. let’s check it out! According to public source, IMDb and Wikipedia, Todd Snider’s ethnicity is unknown. We will update Todd Snider’s religious and political views in this article. Please check the item again after a few days. Many people want to know what & race is? let’s check it out! According to public source, IMDb and Wikipedia, Todd Snider’s ethnicity is unknown. We will update Todd Snider’s religious and political views in this article. Please check the item again after a few days. He released two more albums for MCA, Step Right Up and Viva Satellite before moving to John Prine’s Oh Boy Records for which he recorded Happy to Be Here, New Connection, Near Truths and Hotel Rooms, East Nashville Skyline and Peace Love and Anarchy made . That Was Me: The Best of Todd Snider 1994–1998 was released by Hip-O Records in August 2005.

Todd Snider Net Worth Todd Snider is one of the world’s richest folk singers and featured on the list of the most popular folk singers. According to our analysis, Wikipedia, Forbes & Business Insider, Todd Snider’s net worth is approximately $1.5 million.

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Todd Snider Net worth and Salary Net worth $1.5 million Salary Under Review Income Source Folk Singer Cars N/A House Living in own house.

He was an assistant to John Prine.

He released two more albums for MCA, Step Right Up and Viva Satellite before moving to John Prine’s Oh Boy Records for which he recorded Happy to Be Here, New Connection, Near Truths and Hotel Rooms, East Nashville Skyline and Peace Love and Anarchy made . That Was Me: The Best of Todd Snider 1994–1998 was released by Hip-O Records in August 2005.

Snider’s 1994 debut album on MCA entitled Songs for the Daily Planet was named after the bar where Snider regularly performed in Memphis. On that album, minor hits were “Talkin’ Seattle Grunge Rock Blues” – a folk song about the early ’90s grunge scene with a band that “refused to play” – and “Alright Guy,” which later became the title track Gary Allan’s 2001 album.

Size of Todd Snider Size of Todd Snider Currently not available. Weight unknown and body measurements will be updated soon.

Todd Snider Height and Body Statistics Height unknown Weight not known Body measurements in exam Eye color not available Hair color not available Foot/shoe size not available

His album Agnostic Hymns and Stoner Fables was included in Rolling Stone’s 50 Greatest Albums list in 2012.

Snider’s next studio album, The Devil You Know, was released in August 2006. It marked his return to a major label, New Door Records, a subsidiary of Universal Records. “The Devil You Know” was named the year-end “Best” by several critics, including #33 in Rolling Stone magazine’s 50 Best Albums of the Year, #25 in No Depression magazine, and #14 in Blender magazine.

Who is Todd Snider dating? According to our records, Todd Snider was married to Melita Snider. As of May 2022, Todd Snider has not been dating anyone. Relationship Record: We have no record of Todd Snider’s previous relationships. You can help us create the dating records for Todd Snider! : We have no record of Todd Snider. You can help us create the dating records for Todd Snider! In February 2011, Snider released a live double album, The Storyteller, on his own record label, Aimless Records. The album features live versions of songs spanning much of Snider’s career, as well as some of the stories that have become a staple of his live show.

Facts & Interesting Facts On the list of the most popular folk singers. Also included in elite list of United States-born famous celebrities. Todd Snider celebrates his birthday on October 11th every year. Snider contributed a cover version of “A Boy Named Sue” to Sugar Hill Records’ 2010 album Twistable Turnable Man, a multi-artist tribute to songwriter Shel Silverstein.

Todd Snider

American singer-songwriter

This article is about the singer. For others, see Todd Snyder (disambiguation)

musical artist

Todd Daniel Snider (born October 11, 1966)[1] is an American singer-songwriter whose music contains elements of folk, rock, blues, alternative country and funk.

Early career[edit]

Todd Snider was born in Portland, Oregon but grew up in nearby Beaverton, where he lived until his graduation from Beaverton High School in 1985. After high school, he moved to Santa Rosa, California to attend Santa Rosa Junior College. It only lasted one semester, but while there he learned to play the harmonica.[2]

With the help of his brother Mike, who bought him a plane ticket, Snider relocated to San Marcos, Texas after leaving SRJC in the late fall of 1985.[3] Not long after arriving in San Marcos, Snider Jerry saw Jeff Walker perform solo at the Gruene Hall, a legendary dance hall in New Braunfels, Texas.[4] When he saw Walker that night, he decided he wanted to be a songwriter and started writing songs the next day.[5] He told Lone Star Music Magazine in 2004, “I didn’t even know how to actually play guitar, but I saw his show and I went and got one.”[6]

Snider met Kent Finlay at his very first writers night, held at Finlay’s San Marcos club, Cheatham Street Warehouse. Finlay, who was a songwriter himself, became an important mentor and introduced Snider to the songs of Kris Kristofferson, Guy Clark, John Prine and Shel Silverstein, among others.[7]

Snider was soon packing small spaces in San Marcos and began drawing enthusiastic crowds in Austin over the next few years.[8]

Snider also discovered Memphis songwriter Keith Sykes while living in San Marcos when a friend at the local record store drew his attention to two albums Sykes had made in the early ’70s.[9] In 1989, Snider’s father moved to Memphis and happened to meet Sykes’ sister-in-law. Through this connection, Snider sent Sykes a demo tape of some of his songs. Sykes thought one of the songs had potential, so Snider moved to Memphis to try and work with Sykes.

Not long after arriving in Memphis, Snider landed a weekly residency at a local club, The Daily Planet. Not only did he soon grab the room, the audience knew the lyrics of the songs and sang along.[11]

Through Sykes, Snider met John Prine in 1991 while assisting with pre-production work Prine was doing with Sykes in Memphis for his album The Missing Years. It was the beginning of a friendship that would last until Prine’s death in 2020.[12]

In 1992, Sykes helped Snider land a development deal with Capitol Records. He recorded a number of sides in Nashville for the label,[13] but they turned down his option for a full album.[14]

Around the time of the Capitol deal, Snider began performing with a small band supporting him, which he dubbed the Bootleggers. The band’s line-up fluctuated somewhat in its first year, but by late 1994 the line-up consisted of Will Kimbrough on guitar, Joe Mariencheck on bass and Joe McLeary on drums. Snider had also changed the band’s name to Nervous Wrecks.

Sykes was a one-time member of Jimmy Buffett’s Coral Reefer Band, and Buffett had recorded some of his songs. When the Capitol deal fell through, he approached Buffett’s Margaritaville Records label, which was distributed by MCA, on Snider’s behalf. Not long after label executive Bob Mercer spotted Snider performing at an industry showcase in Memphis in April 1993, Snider flew to California to open a show for Buffett. After seeing his set, Buffett offered Snider a deal with Margaritaville.

Recordings [ edit ]

1990s[edit]

Margaritaville/MCA Years [ edit ]

Snider’s debut album for Margaritaville, Songs for the Daily Planet, was released in 1994 and reached #23 on the Billboard Heatseekers Albums chart.[18] Produced by Tony Brown and Mike Utley, the album was literally made up of songs he performed at the Daily Planet nightclub in Memphis. Although there were a few guest musicians and vocalists on the record, the core line-up consisted of Snider on acoustic guitar, Joe Mariencheck on bass, Joe McLeary on drums, Utley on keys, Eddie Shaver on electric guitar and Peter Hyrka on mandolin, acoustic guitar , and violin.[19] The record contained a hidden track, “Talking Seattle Grunge Rock Blues”, which became a minor radio hit, peaking at #31 on the Billboard Album Rock Tracks chart. A talking blues for Gen-X, the song satirized the early ’90s grunge scene and featured a band refusing to play. The video for another single from the album, “Alright Guy,” was rotated on VH1.[21]

Snider’s second album for Margaritaville/MCA, Step Right Up, was released on April 23, 1996, and Billboard proclaimed it “more stunning than his debut.” [22] Brown and Utley co-produced Snider, and Utley provided keyboard support for Snider and the Wrecks.[23]

Snider’s third album, Viva Satellite, marked a turning point in his career. Prior to recording the record, Margaritaville left MCA and signed to Island Records for distribution. But MCA retained the rights to Snider’s recordings, so they would release the album. Snider no longer recorded for Margaritaville or worked with Brown and Utley, instead producing a few sides at engineer Justin Niebank’s studio in Franklin, Tennessee, with mixed success. Only one of the tracks cut there would make it onto the album, the finale “Doublewide Blues”. Snider recorded the remainder of the album at Ardent Studios in Memphis with producer-engineer John Hampton. He was joined by Kimbrough on guitar, Mariencheck on bass, Paul Buchignani on drums and Rick Steff on keys, and the result was a more straight-forward rock record than his first two. Shortly before the album’s release in May 1998, there was trouble at a private performance in L.A. for MCA executives and their staff. Snider, who was struggling with drugs at the time, insulted those in attendance early in the set and then left the stage. Not long after, MCA released him from his contract.[25]

2000s [edit]

Oh boy years[ edit ]

After leaving MCA, Snider disbanded Nervous Wrecks and signed to John Prine’s independent label Oh Boy Records. Oh Boy released his fourth album Happy To Be Here on April 18, 2000.[26] Working with producer Ray Kennedy, Snider recorded all of the songs solo acoustically, then added additional instruments to his guitar and vocal tracks. Alongside Kennedy, who played a variety of instruments on the record, were guitarists Pat Buchanan and Will Kimbrough, bassists Joey Spampinato and Keith Christopher, keyboardist Johnny Neel, drummer Paul Buchignani, multi-instrumentalist Peter Holsapple, violinist Tammy Rogers, and buglers Jim Hoke and Wayne Jackson all contributed to the album.[28]

Oh Boy released Snider’s second album for the New Connection label on May 14, 2002.[29] Produced by R. S. Field, Billboard said of the album, “Snider settled into a groove of consistent quality and heavy observation.” [30] The record included “Beer Run,” a crowd favorite he had performed since the summer of 2000 With the song’s release on New Connection, Garth Brooks released a duet with George Jones in November 2001 that shared the same title and primary lyrical hook. Snider’s manager wondered if the song recorded by Brooks and Jones hurt his song of the same name, but it was ultimately concluded that their song, while similar, had been written independently by Snider.

Snider’s third Oh Boy release was a live album, Near Truths and Hotel Rooms, released May 13, 2003. The record, recorded at half a dozen venues, captured Snider’s live show after Nervous Wrecks – just him solo with his acoustic guitar and harmonica.[33] Robert Christgau gave the album an A− grade in his Consumer Guide.[34]

Snider’s final studio album for Oh Boy, East Nashville Skyline, was released on July 20, 2004. For the first time, Snider took full creative control of his recording process,[36] and the result was an album that was both a musical and cultural breakthrough. It introduced East Nashville to the world, and its influence resonates to this day.[37] Snider co-produced the record with old Nervous Wrecks bandmate Will Kimbrough at engineer Eric McCullough’s East Nashville studio. Alongside guitarist Kimbrough and multi-instrumentalist McCullough, he was joined on the sessions by a who’s who of East Nashville musicians, including guitarist Tim Carroll, bassists Dave Jacques and Dave Roe, drummers Paul Griffith and Craig Wright, and the Pianist John Deadrick. East Nashville Skyline featured two iconic songs that added to the songwriting canon: “Play a Train Song” pushed the boundaries of “train” songs with the story of a man known for always demanding that type of song, and “The Ballad of the Kingsmen” brought the talking blues to a more contemporary place musically and culturally linked the censorship of “Louie Louie” to the Columbine shootings.[38] Pitchfork called the album “the funniest and most vivacious album of his career.”[ 39] Robert Christgau gave it a A in his Consumer Guide, calling it “a lighter wake-up call.”[40] PopMatters ranked it as the seventh best album of 2004.[41] East Nashville Skyline peaked at #28 on the Billboard Independent Albums chart. [42]

After East Nashville Skyline, Snider moved to Bob Mercer’s New Door Records label, distributed by Universal Music Group, but Oh Boy released another album of his music. On April 3, 2007, the label released Peace, Love And Anarchy (Rarities, B-sides and Demos, Vol. I), a compilation of previously unreleased recordings. Notable among the fourteen tracks in the collection is the song “East Nashville Skyline,” which was intended to be the title track of the album of the same name, but Snider didn’t finish it in time to make the album.

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New door years[edit]

While Snider was working on his first record for New Door, UMG released selections from his Margaritaville and MCA back catalogue. The collection That Was Me: 1994-1998 was released on August 30, 2005[44] through its reissue arm, Hip-O Records.[45] The compilation featured seventeen tracks from all three MCA-distributed albums, including “Alright Guy” and “Talking Seattle Grunge Rock Blues,” as well as a previously unreleased cover of “Margaritaville,” a breakneck rendition he was backed on by the Nervous Wrecks .

Snider’s first release for New Door was The Devil You Know, the acclaimed follow-up to East Nashville Skyline, released August 8, 2006. Snider again worked with co-producers Will Kimbrough and Eric McConnell, both of whom played multiple instruments on the album, and was also joined on the record by guitarist Tommy Womack, bassists Billy Mercer, Robert Kearns and Dave Jacques, and drummers Paul Griffith and supporting Craig Wright, pianist Dave Zollo, violinist Molly Thomas and legendary steel guitarist Lloyd Green.[47] The record went to number four on the Billboard Heatseekers Albums chart. Robert Christgau gave it a 1 in his Consumer Guide, calling it “better” than its predecessor.[49] The record was included in several critics’ year-end “Best” lists, including #33 in Rolling Stone’s Top 50 Albums of the Year, #25 in No Depression magazine, and #14 in Blender magazine.

On October 20, 2006, Snider made an acoustic solo appearance at Grimey’s New and Preloved Records in Nashville, performing material from The Devil You Know. The performance was recorded and released by New Door on April 3, 2007 as Live With The Devil You Know At Grimey’s Nashville 10.20.06. It was his last release on the New Door label.

Launch of Aimless Records[ edit ]

In 2008, Snider founded his own independent record label, Aimless Records. The label’s first release was his eight-song EP Peace Queer, the most political record of his career. The title was inspired by the ’60s avant-garde rock band The Fugs, which had a line about killing “peace queers.”[52] As Snider recounts in the press bio for the album, he was kidnapped by an international league of Peace Queers who forced him to write the protest songs that appeared on the record. Three of the tracks on the EP were recorded in the studio by co-producer Eric McConnell, with assistance from a number of musicians who worked on Snider’s two previous albums, including guitarist Will Kimbrough, bassist Dave Jacques, keyboardist Dave Zollo, and drummers Paul Griffith and Craig Wright. The remainder of the EP was recorded in his studio with co-producer Doug Lancio, with Lancio providing backing music and Patty Griffin providing backing vocals on two of the tracks – “Cape Henry” and the cover of John Fogerty’s “Fortunate Son”. Released on October 14, 2008, the record peaked at number one on the Americana Airplay chart and number eight on the Billboard Heatseekers Albums chart.

Yep Roc album [ edit ]

Aimless didn’t release Snider’s next album, The Excitement Plan, because he had already turned it over to Yep Roc Records, but it would be the last record he would make for any other record label. Produced by Don Was and released June 9, 2009, the album featured Snider with minimal support: War on upright bass, Jim Keltner on drums, and Greg Leisz on dobro and pedal steel. PopMatters called the record “a masterpiece of intimacy” and said it “established its place among the masters of form.”[56] The Associated Press called it “the best album of his career.”[57] Rolling Stone gave it four stars.[58] Robert Christgau awarded the grade B+ in his Consumer Guide.[59] The album peaked at number six on the Billboard Heatseekers Albums chart[60] and number 31 on the magazine’s Independent Albums chart.[61]

2010s[edit]

Aimless label years[ edit ]

On February 1, 2011, Aimless released a live Snider double album, Live: The Storyteller. The album featured performances of songs spanning much of Snider’s career along with some of the stories that have become a staple of his live shows. The performances were selected from recordings of concerts in 2010, primarily shows in Nashville, Asheville, North Carolina, and Ann Arbor, Michigan, but also from his performance that year at the Bonnaroo Music and Arts Festival. On some of the selections, Snider is joined by the jam band Great American Taxi. Robert Christgau gave the album an A− in his Consumer Guide.[64] The Austin Chronicle said the album “does a great job of capturing the genius of the one-time San Marcos scene star, a heady combination of post-folk punk and stoned comedian.”[65] The album peaked at number seven on Billboard’s Heatseekers Albums charts and peaked at number 36 on the magazine’s list of independent albums.

After touring with them in 2010, Snider produced an album on Great American Taxi, Paradise Lost in 2011. The record was released on February 22, 2012 on the band’s own label.[68]

Also in 2012, Aimless released two albums by Snider. The first, Agnostic Hymns & Stoner Fables, was released March 6 and contained nine original songs and a cover of Jimmy Buffett’s “West Nashville Grand Ballroom Gown.”[69] The album’s themes of economic inequality received wide attention. The East Nashvillian said Snider was a “one-man Occupy Wall Street.”[70] Rolling Stone dubbed it “Occupy Nashville.” [71] Snider recorded the album at Eric McConnell’s studio, with McConnell co-producing and recording engineer, and also playing bass. Snider, who played acoustic and electric guitar and harmonica, was also joined on the record by violinist/backing vocalist Amanda Shires, Great American Taxi keyboardist Chad Staehly, and drummer Paul Griffith. In addition, Jason Isbell contributed slide guitar and backing vocals to “Digger Dave’s Crazy Woman Blues”.[72] The record was rated A in Robert Christgau’s Consumer Guide.[73] The American songwriter gave it four and a half stars.[74] The album landed on three different Billboard charts. It was number six on the Americana/Folk Albums chart,[75] number 15 on the Independent Albums chart,[76] and number 23 on the Top Rock Albums chart.[77] It also made a number of year-end lists, notably number five in Christgau’s “Top 102 Albums of 2012”. on both Pazz and Jop from The Village Voice: Top 100 Albums of 2012,[80] Paste’s “50 Best Albums of 2012″[81] and number 47 on Rolling Stone’s “Top 50 Albums of 2012”.[82]

The following month, on April 24, Aimless Sniders released a tribute album honoring one of his early mentors, Time As We Know It: The Songs of Jerry Jeff Walker. Produced by Don Was, Snider was joined on the album by the members of Great American Taxi (Vince Herman, acoustic guitar, mandolin, backing vocals; Chad Staehly, keyboards; Brian Adams, bass, backing vocals; Jim Lewin, electric guitar, backing). vocals and Chris Sheldon, drums, backing vocals.) Also featured on the album were Kix Brooks, Elizabeth Cook, and Amy LaVere.[83] PopMatters called the album “Snider’s Love Letter to Jerry Jeff Walker.”[84] The album peaked at number 13 on the Billboard Americana/Folk Albums chart.[85]

Hard Working Americans[edit]

In 2013, Snider formed the jam band supergroup Hard Working Americans with Widespread Panic bassist Dave Schools. The band’s line-up consisted of Snider on vocals, Schools on bass, Neal Casal on guitar, Chad Staehly on keyboards, and Duane Trucks on drums. After recording their first album at Bob Weir’s TRI Studios,[86] they added a sixth member, guitarist and lap steel player Jesse Aycock.[87] The band’s debut, Hard Working Americans, was released on January 21, 2014 by Melvin Records and featured 11 songs written by songwriters Snider admires, including Randy Newman, Dave Rawlings, Gillian Welch, Kevn Kinney, and Hayes Carll Will Kimbrough. 88] Later that same year, on October 28, Melvin released The First Waltz, a two-disc set containing a CD of 11 live recordings by HWA and a new studio recording with Rosanne Cash, “Come From The Heart.” and a full-length album featured documentary film about the band directed by Justin Kreutzmann.[89]

Melvin released Hard Working Americans’ second studio album, Rest in Chaos, on May 13, 2016. The record featured a dozen songs with lyrics by Snider and music by the entire band, as well as a cover of Guy Clark’s The High Price of Inspiration. “[90] The American songwriter gave the record four stars out of five.[91]

On August 4, 2017, Melvin Records released a Hard Working Americans live double album, We’re All In This Together.[92] Robert Christgau gave the album an A- in his Consumer Guide, calling it “the rock dream that hippies invented before they burned out.”[93] In spring 2017, the band went to Cash Cabin Studios and recorded more than one album Worth of material written by Snider, but these recordings have yet to be released.

Elmo Buzz and the Eastside Bulldogs[edit]

Between his work with Hard Working Americans, Snider finished the album Eastside Bulldog, which Aimless released on October 6, 2016.[95] While released under Snider’s name, the material spawned from his side project/alter ego Elmo Buzz and the Eastside Bulldogs, who specialize in ’50s and early ’60s rock and roll. Six of the ten songs originally appeared on an EP Shit Sandwich, which Aimless released as a free download in 2011 under the Elmo Buzz moniker. Snider was joined on these sides by Eric McConnell on bass, Jen Gunderman on piano, Mark Horn on drums, and Dennis Taylor on saxophone. In 2016, Snider cut four more sides to complete the album, including the assistance of Aaron Lee Tasjan on guitar, Keith Christopher on bass, Paul Griffith on drums, Robbie Crowell on saxophone and Rorey Carroll on drums. The Irish Times called Eastside Bulldog “26 minutes of perfection that will rip your ears off”. and number 41 on the Top Rock Albums chart.[100]

Returning to folk roots[ edit ]

On March 15, 2019, Aimless Records released Snider’s 13th studio album, Cash Cabin Sessions, Vol. 3.[101] Co-produced with Chad Staehly, Snider returned to his folk roots on the solo acoustic album, playing all instruments on the 10 songs, recorded at Cash Cabin Studio in Fall 2018. Jason Isbell and Amanda Shires added backing vocals to two of the tracks, “The Blues on Banjo” and “A Timeless Response to Current Events”. Isbell also added backing vocals to the single “Like a Force of Nature”. Half of the songs on the record were among those he recorded in the studio with Hard Working Americans in 2017.[102] Robert Christgau gave the album an A rating in his Consumer Guide.[103] Rolling Stone gave it four stars.[104] The record peaked at number three on the Billboard Independent Albums chart,[105] number 11 on the Americana/Folk Albums chart,[106] number 21 on the Vinyl Albums chart,[107] and number 23 on the Album Sales chart.[108] ]

2020s [edit]

With the release of Aimless’ First Agnostic Church of Hope and Wonder on April 23, 2021[109], Snider realized his long-standing vision of fusing funk with folk. He produced the record and played most of the instruments on it, including electric bass, acoustic guitar, electric guitar, banjo and piano. He also sang all the backing vocals. Robbie Crowell handled drums and percussion. Tchad Blake mixed the record and contributed some tonal and musical accents.[110] No Depression said the record showed Snider “in all his glory”. [111] Rolling Stone said it was “a raw portrait of a world-class songwriter, processing disaster and mayhem in real time.” [112] Robert Christgau gave the album a B+ in his consumer guide.[113] The album peaked at number 21 on Billboard’s Americana/Folk Albums chart[114] and number 36 on the Album Sales chart.[115]

Tribute recordings[edit]

In addition to his own recordings, Snider has contributed covers to a number of tribute albums during his career, which began in 1996 when he worked with Joe Ely on a cover of “Oh Boy” for the Buddy Holly tribute album Not Fade Away (Remembering Buddy). holly).[116]

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On August 16, 2004, Snider performed at a tribute concert at the Paramount Theater in Austin, Texas to honor Billy Joe Shaver on his 65th birthday. Snider’s performance of Shaver’s “Waco Moon” was included on A Tribute To Billy Joe Shaver – Live, an album documenting the concert and released on May 17, 2005.

In 2006, three tribute albums containing sides by Snider were released. He recorded “Maybe You Heard” for The Pilgrim: A Celebration of Kris Kristofferson, which was released on June 27 of that year. He contributed “They Ain’t Making Jews Like Jesus Anymore” to Why the Hell Not: The Songs of Kinky Friedman, released September 26.[120] And he covered “Traveling Light” for A Case for Case: A Tribute to the Songs of Peter Case, released October 2.[121]

Snider contributed a cover of A Boy Named Sue to the 2010 album Twistable Turnable Man: A Musical Tribute to the Songs of Shel Silverstein. The record also included covers by Kris Kristofferson, John Prine, Bobby Bare, Lucinda Williams, Nanci Griffith and Black Francis.[122]

In 2017, Snider covered “It Sure Was Better Back Then” for the tribute album An American Troubadour: The Songs of Steve Forbert, released October 6 of that year.

Film, TV and books[ edit ]

In addition to appearing in music videos and promotional videos for his own recordings, Snider has made numerous television and film appearances.

television [edit]

Over the years, Snider has made several appearances on the network’s late-night talk shows. On March 6, 1995, Snider performed “Alright Guy” with the Nervous Wrecks on Late Night with Conan O’Brien. On January 29, 1996, Snider and Joe Ely performed Buddy Holly’s “Oh, Boy” on The Late Show With David Letterman. He returned to O’Brien’s show for a performance of “I Am Too,” which aired May 13, 1998.[124] In 2006, he performed “Looking for a Job” on The Tonight Show With Jay Leno on August 9. A few weeks later, he appeared again on the Letterman show, performing “Unbreakable” on September 1st.

Snider has also appeared on several music programs during his career. In 1995 he appeared on ABC’s In Concert, performing “This Land Is Our Land” and John Fogerty’s “Fortunate Son” with support from the Nervous Wrecks. In 1996, he appeared with the Wrecks in an episode titled John Prine which aired January 20. Also in 1996, Snider played “Alright Guy” solo acoustic on VH1’s Crossroads.[128] In 1998 he performed “Rocket Fuel”, “My Generation, Part 2” and “I Am Too” on HBO’s Reverb, backed by the Wrecks.

Snider made three appearances on Squidbillies in 2010 during the fifth season of the TV series Adult Swim. He sang the show’s theme song in the seventh episode, “Fatal Distraction”, which aired June 27, 2010. He voiced the character Lobster Freak in the eighth episode “Clowny Freaks”, which aired July 4, 2010. He appeared as himself in the season finale, the all-star half-hour musical special “America: Why I Love Her,” which aired July 18, 2010 and also included Lucinda Williams, Drive-By Truckers and Jimmie Dale Gilmore, among others.* [131]

movie [edit]

Snider met filmmaker brothers Brad and Todd Barnes in 2003 while they were shooting a promotional film for his live album, Todd Snider Live: Near Truths And Hotel Rooms. During a hiatus from filming Tension: On the Road With Todd Snider, Snider composed and performed a short instrumental piece for the Barnes brothers’ comedic short Long Road Home, released that same year.[132] He also composed the music for her 2010 film The Locksmith.[133] Snider also starred in two “mockumentaries” directed by brothers. The first was Peace Queer: The Movie in 2009. The 42-minute film is said to prove that Peace Queers kidnapped Snider and forced him to write the anti-war protest songs that appeared on his Peace Queer EP.[134] He also starred in the Barnes brothers’ 2013 full-length stoner mockumentary, East Nashville Tonight, opposite Elizabeth Cook.[135]

In 1997, Snider performed a cover version of Steve Goodman’s “This Hotel Room” at a tribute concert honoring Goodman at Chicago’s Medinah Temple.[136] The concert was filmed and a decade later a DVD documenting the concert, Larger Than Life: A Celebration of Steve Goodman and His Music, was released on November 6, 2007. In addition to Snider’s performance, the DVD includes appearances from John Prine, Arlo Guthrie, Emmylou Harris, Jackson Browne, Lyle Lovett, Iris Dement, and Goodman himself.[137]

Snider starred alongside his Hard Working Americans bandmates in The First Waltz, director Justin Kreutzmann’s documentary film that chronicles the formation of the Hard Working Americans and their first performances together in late 2013.[138] The film was released on October 28, 2014 by Melvin Records as part of a two-disc (CD/DVD) set.[139]

In 2020, the film Hard Luck Love Song, based on Snider’s song “Just Like Old Times” and featuring the song in the film, was released in a limited edition. Then, in 2021, the film was picked up by Roadside Attractions for wider distribution with a release date of October 15, 2021.

books [edit]

On April 22, 2014, Da Capo Press released Snider’s quasi-memoir I Never Met a Story I Didn’t Like: Mostly True Tall Tales. Lone Star Music Magazine called it “one of the most enchantingly witty memoirs to come down the literary pike in some time.” [143] That same year, Snider contributed a chapter to a book about his first mentor, Kent Finlay. The book, Kent Finlay, Dreamer: The Musical Legacy behind Cheatham Street Warehouse, was published by Texas A&M University Press on February 3, 2016 [144]

Songs covered by other artists [ edit ]

Throughout his career, Snider has written and co-written a large number of songs that have been covered by other artists.

1990s[edit]

His first edit was by Rick Trevino, who recorded Snider’s “She Just Left Me Lounge” for his 1994 release of the same name.[145] Then the following year, Mark Chesnutt covered “Trouble” for his album Wings.[146]

Terry McMillan coverte „Somebody’s Comin’“, eine spirituelle Nummer, die Snider zusammen mit Mark Marchetti und Shannon Hills geschrieben hat, auf seiner Veröffentlichung von 1997. [147] Anschließend wurde dieser Song von zahlreichen Künstlern gecovert, darunter Russ Taff auf seinem Album von 1999 , Genau hier und jetzt.[148]

1997 nahm Jack Ingram “Airways Motel” für das Album “Livin’ or Dyin'” auf, den ersten von mehreren Songs, die er zusammen mit Snider schrieb.[149] Zwei Jahre später nahm Ingram zwei Songs auf, die sie mitgeschrieben haben, „Feel Like I’m Falling In Love“ und „Barbie Doll“, für das 1999 erschienene „Hey You“.[150]

Snider und Jason Ringenberg schrieben “This Town Isn’t Keeping You Down”, das 1998 auf Jason & The Scorchers’ Veröffentlichung “Midnight Roads & Stages Seen” erschien.[151]

2000er [Bearbeiten]

Snider und Gary Bennett von BR-549 schrieben „Better Than This“, das 2000 auf BR-549s Live-Album Coast to Coast Live erschien.[152]

Charlie Robison nahm den Snider-Ingram-Cowriter „Barbie Doll“ für das 2000er Album Unleashed Live auf.[153]

Sowohl Gary Allan als auch Jerry Jeff Walker haben 2001 Sniders “Alright Guy” gecovert. Allans Aufnahme des Songs erschien auf seinem gleichnamigen Album, während Walkers Version auf seinem Album Gonzo Stew erschien.

Snider arbeitete erneut mit Jason Ringenberg bei “James Dean’s Car” zusammen, das 2002 auf Ringenbergs Soloalbum “All Over Creation” erschien.[156]

Billy Joe Shaver hat zwei Songs aufgenommen, an denen er und Snider mitgeschrieben haben: „Deja Blues“, der 2002 auf seinem Album „Freedom’s Child“ enthalten war,[157] und „The Real Deal“, der 2005 auf seiner gleichnamigen Platte erschien.[158] ]

Cross Canadian Ragweed hat zwei von Sniders Songs gecovert: “Late Last Night” auf ihrem 2005er Album Garage[159] und “I Believe You” auf 2007’s Mission California.[160]

Keith Sykes, einer von Sniders frühen Mentoren, nahm einen Song „Tearing the House Down“ auf, den sie mitgeschrieben haben, und veröffentlichte ihn 2006 auf seinem Album „Let It Roll“.

Sniders ehemaliger Bandkollege von Nervous Wrecks, Will Kimbrough, hat mehrere Songs aufgenommen, die er und Snider geschrieben haben. Zwei ihrer Kollaborationen, „I Want Out“ und „Cape Henry“, wurden 2006 in Kimbroughs Compilation „Godsend“ (Unreleased Songs, 1994–2002) aufgenommen.[162] Er nahm zwei weitere auf, „Horseshoe Lake“ und „Half a Man“, für seine 2007er EP „Will Kimbrough“.[163]

Jack Ingram nahm „Easy as 1, 2, 3 (Part II)“ auf, eine weitere seiner Kollaborationen mit Snider, für sein 2007er Album. This Is It,[164]

T. Graham Brown deckte Somebody’s Comin’ für seine Veröffentlichung From A Stronger Place aus dem Jahr 2008 ab.[165]

2010s[edit]

Snider hat zusammen mit dem Sänger und Pianisten Jason D. Williams aus Memphis Songs für ein halbes Album geschrieben, für Williams’ 2010er Album „Killer Instincts“, das Snider produziert hat. Einige dieser Materialien hatten zusätzliche Cowriter, darunter Dan Baird und Bobby Bare Jr.[166]

Will Kimbrough included another of his cowrites with Snider, “It Ain’t Cool,” on his 2010 release Wings.[167]

Willie Braun’s band Reckless Kelly recorded a song he cowrote with Snider, “I Never Liked St. Valentine,” which appeared on his 2011 album Good Luck & True Love.[168]

A pair of Texas music legends, Robert Earl Keen and Pat Green, also have recorded Snider’s songs. Keen covered “Play a Train Song” on his 2011 album Ready For Confetti.[169] Green covered “I Am Too,” which was written by Snider and Will Kimbrough, on his 2012 release Songs We Wish We’d Written II.[170]

Somebody’s Comin’ remained a favorite among Christian artists, and gospel legends Bill and Gloria Gaither covered the song on their 2011 record, Alaskan Homecoming.[171]

Dash Rip Rock covered the Snider-Shaver cowrite “The Real Deal (as “Real Deal”) on 2013’s Dash Does Shaver.[172]

Country legend Loretta Lynn recorded a song she cowrote with Snider, “Everything It Takes,” for her 2016 album Full Circle.[173]

That same year, a song Snider cowrote with singer-songwriter Elizabeth Cook and Dexter Green, “Cutting Diamonds,” was released on Cook’s Exodus of Venus album.[174]

Jack Ingram released a pair of songs he wrote with Snider, “Alright Alright Alright” and “Everybody Wants To Be Somebody” (also cowritten with Jon Randall Stewart), on 2019’s Ridin’ High…Again.[175]

2020s [edit]

In 2021, Tom Jones released an eclectic cover of Snider’s “Talking Reality Television Blues” on his 2021 album Surrounded By Time.[176]

In 2022, Corb Lund released a cover of Snider’s “Age Like Wine” on his 2022 album “Songs My Friends Wrote”.[177]

Honors and awards [ edit ]

After the success of The Devil You Know in 2006, Snider was nominated for Artist of the Year at the sixth annual Americana Honors & Awards in 2007. The nominees in the category included Lucinda Williams, Patty Griffin, and Joe Ely.[178]

Hard Working Americans was nominated for an award in the Best Duo/Group category at the Americana Honors & Awards in 2014.[179]

On October 9, 2021, Snider was inducted into the Oregon Music Hall of Fame during a ceremony at the Aladdin Theater in Portland.[180]

Discography[ edit ]

Albums [ edit ]

DVDs [ edit ]

The Devil You Know (2007)

single [edit]

Year Single Chart Positions Album US MSR CAN AC 1994 “Talkin’ Seattle Grunge Rock Blues” 31 — Songs for the Daily Planet “This Land Is Our Land” — — 1995 “Alright Guy” — 33 1996 “I Believe You” — — Step Right Up “Late Last Night” — —

music videos[edit]

Year Video Director 1995 “Alright Guy”[186] Jim Shea 1996 “I Believe You” 2006 “Looking For A Job” “You Got Away With It (A Tale Of Two Fraternity Brothers)”

Publications[ edit ]

Year Title Publisher 2014 I Never Met a Story I Didn’t Like Da Capo Press

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