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Pat Travers (born April 12, 1954) is a Canadian rock guitarist, keyboardist and vocalist who began his music career with Polydor Records in the m-1970s. Some of the notable musicians who have been a part of the Pat Travers Band over the years include Pat Thrall, Nicko McBrain, Mick Dyche, Tommy Aldrge, Peter “Mars” Cowling, Barry Dunaway, Jerry Riggs, Gunter Nezhoda, Carmine Appice and Michael Schreien . Metallica’s Kirk Hammett named him one of his favorite guitarists.
Pat Travers Net Worth : $ 19 Million
Let’s check out Pat Travers’ updated 2021 Salary Report given below:
Pat Travers Salary/Income:
Per year: $4,00,000. Per month: $32,000. Per week: $8,000
Per day:
Per hour:
Per minute:
Per second:
$1140
$19
$0.3
$0.05
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Does Pat Travers have kids?
His children Amanda and Elijah have inspired songs and certainly help to excite and inspire Pat to keep doing what he does best, and that is of course making some of the best music possible.
How old is Pat Travers?
Who is Pat Travers bass player?
Pat Travers Band members
As of 2021, the band consists of Travers (vocals, guitars), Tommy Craig (drums), and David Pastorius (bass).
Is Pat Travers still playing?
Pat Travers is currently touring across 2 countries and has 14 upcoming concerts. Their next tour date is at Goodyear Theater in Akron, after that they’ll be at Robins Theatre in Warren. See all your opportunities to see them live below!
Who played drums for Pat Travers?
The band in question – Pat Travers, guitarist Pat Thrall, drummer Tommy Aldridge and bass player Peter “Mars” Cowling – were unarguably one of the most talented rock quartets ever to perform.
Where is Pat Travers from?
Who wrote Boom Boom Out Go the Lights?
How many albums does Pat Travers have?
What year did Pat Travers release Boom Boom Out Go the Lights?
What kind of guitar does Pat Travers play?
Travers’ current guitar gaggle includes a Fender Custom Shop ’50 Nocaster made by John Cruz with pickups wound by Abigail Ybarra, an Ibanez prototype acoustic from the mid ’90s, a PRS SE-1 with a humbucker he uses for slide, his go-to PRS Singlecut Custom 22, and a Custom 22 with a red dragon inlaid on its body.
What songs did Pat Travers Band sing?
What happened to Pat Thrall?
After the demise of Hughes/Thrall he moved to New York and worked as a studio musician and as a sideman touring with major artists. He recorded two albums with the Jamaican rhythm section Sly and Robbie. He played on the Tina Turner album “Foreign Affair” and was featured on the classic “Simply The Best”.
Who is in the Pat Travers Band?
What does Pat Travers sing?
Pat Travers and Carmine Appice – \”Never Gonna Give You Up (The BALLS Album) [Official]
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Lets check out updated 2021 Pat Travers Net Worth Income Salary report which is given below : Pat Travers ‘s Salary / Income: Per Year: $ 4,00,000
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Metallica’s Kirk Hammett has named him as one of his favourite guitarists. Pat Travers Net Worth : $ 19 Million. Lets check out updated 2021 Pat …
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Metallica’s Kirk Hammett has named him as one of his favourite guitarists. Pat Travers Net Worth : $ 19 Million. Lets check out updated 2021 Pat …
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Pat Travers – Net Worth, Age, Height, Bio, Birthday, Wiki!
Explore Pat Travers net worth, age, height, bio, birthday, wiki, salary, 2021! Famous Pat Travers was born on April 12, 1954 in Canada.
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Pat Travers Biography Page
Pat Travers was born on April 12, 1954 in Toronto, Canada. Shortly after picking up the guitar at age 12, Pat saw legend Jimi Hendrix perform in Ottawa. This obviously inspiring concert must have made young Pat pursue dreams of stardom like so many of his early influences. Inspired by guitarists like Hendrix, Jeff Beck, Eric Clapton and Jimmy Page, Pat started playing in bands when he was a teenager. His first bands were “Red Hot” and “Merge”, which played clubs in the Quebec area. While the early years were tough, they would eventually pay off in terms of improved musicianship, style and notoriety.
While performing with Merge, he was noticed by ’50s rock artist Ronnie Hawkins, who soon brought Pat on tour to perform with him. While Hawkins’ music consisted primarily of old rock ‘n’ roll, country and rockabilly, Pat used this experience to hone his skills and voice as Hawkins’ lead guitarist. After a year on the road with Hawkins, Pat swapped his tuxedo and tie to pursue his true dream of having his own band and becoming a star.
At the age of 20, Pat moved to London with the help of some friends hoping to pursue his dreams. Armed with a Marshall amp, a wah-wha pedal and a few hours in the studio, Pat recorded a demo that soon landed him a record deal with Polydor. With the release of his debut album Pat Travers in April 1976, featuring Mars Cowling on bass and Roy Dyke on drums, Pat embarked on a tour of England in support of his debut. Adorned in a red and white jumpsuit depicting the maple leaf of his native Canada, Pat grew his fan base. Hallmarks of his early shows included giving away cardboard replicas of his black Fender Telecasters, playing barefoot, and inviting viewers to play “air guitar” onstage during the show. Because of this accessibility to the fans, Pat became an invited artist at the major Reading Festival in 1976.
Pat released Makin’ Magic in 1977 and again toured to huge crowds. Following the release of his album Putting It Straight, Pat returned to North America as the trend in the UK was towards the punk rock revolution rather than the hard blues driven rock that Pat was producing.
Featuring the talents of Tommy Aldridge and Pat Thrall, and of course the ever-inspiring Mars Cowling, the release of Heat In the Street continues to strengthen his following. The album featured more of Pat’s sometimes elaborate songs, further proving that he wasn’t just an airy guitar hero, but an accomplished composer and lyricist. Pat Thrall, also a great guitarist, quickly rounded out the sound and gave Pat more freedom to do other things, like play guitar. B. to expand his keyboard playing. Also, Pat Thrall’s influence from his Fusion background provided more fuel for Pat to write from. But Pat realized that the Pat Travers Band is best heard live. With this understanding, the band released their first live album, Go For What You Know, in 1979.
One of his finest albums and a “must have” for any guitar fan, “Go For What You Know” introduced many more fans to Pat Travers’ music. Some say that with this release, PT garnered its biggest increment of fans. With the album getting plenty of radio airplay and touring successfully with some of the biggest bands, Pat soon found himself the center of attention among aspiring guitarists. The album was one of his bestsellers and is still selling well many years later.
Pat was increasingly regarded as a guitar hero, a description he was less than happy with himself. Expressing himself more musically and with tonality, Pat took pride in these areas more than speed and trickery. While Pat could certainly rival the “fastest” guitarists of the era, his first priority was music rather than showing what he could do on the guitar. With this growing respect, Pat found himself a feature artist on the cover of Guitar Player Magazine in January 1980.
In 1980 his release of Crash And Burn proved an extension of his already excellent compositional skills. The songs were more complicated and used a more diverse method of song delivery. Keyboards and vocals are the real highlights of this album as Pat flexed his musical muscles. And while he won’t disappoint his fans, he still plays amazing guitars on burners like “Snortin’ Whiskey”.
Shortly after the 1980 Reading Festival performance there, Pat Thrall and Tommy Aldridge left the band. Not one to rest on his laurels, Pat was back in the studio in 1981 to record Radio Active. This album marked a slight return to his roots, using the classic power trio format that made him a rising star in the UK. After the album he embarked on a very successful tour co-headlining with Rainbow.
In 1982 Black Pearl was released and in 1984 Hot Shot and a video related release “Just Another Killer Day”. Some of Pat’s videos have even been featured on MTV.
Due to management and legal issues with Polydor, Pat soon left the record industry but continued touring and keeping in touch with the thousands and thousands of fans he had over the years. Once dubbed “Forgotten by the industry but never forgotten by the fans,” Pat retained his fan base and still wowed everyone who came to see him perform.
In 1990, Pat re-entered the recording studio with Mars, Jerry Riggs and Scott Zymowski and released School of Hard Knocks, of course a title that could stand as a self-proclaimed reflection of his career. The release not only strengthened its fans who were so excited about new PT, but also attracted more new fans.
After a successful tour in support of “School of Hard Knocks” in the UK, Pat toured the US and Canada again, where in 1990 a concert was recorded in his native town and released as “Boom Boom, Live at the Diamond Club”. This album Proving once again that live PT is to be reckoned with, favoring the live environment over the tricks of the studio It has been said that “life is where you separate the men from the boys” and this release proves it es A video of the same show has also been released and is worth buying for any fan.
With PT fans demanding more, and after thousands of requests for the BBC to repeat Pat’s performances from the Reading Festivals in 1977 and 1980, the BBC released “Pat Travers – BBC Live in Concert”. One of the most sought after archives in the BBC library, it was released on Windsong in 1992 and is of course another ‘must read’ for any true fan.
This newfound interest in his music prompted Polydor, the record company’s former nemesis, to release The Best of Pat Travers in 1990, which was also the first release of his material on CD. In addition, Anthology Volume One and Two, a two CD set, was also released in the UK and includes more of his material in CD format. Soon other PT classics, “Go For What You Know”, “Crash and Burn”, were also released on CD in the US. Imports of “Heat in the Street” were released in Japan, and “Putting it Straight” was released in the UK.
After many years without a US-based record label, Pat soon signed to Mike Varney’s US-based label Blues Bureau International. The release of “Blues Tracks” in 1993 further expanded Pat’s sound library. The songs come from the blues ‘greats’, many of whom were influenced by Pat’s, but Pat’ brings his flair and flavor to these great songs. Following Blues Tracks, Pat released Just a Touch, Blues Magnet, Halfway To Somewhere, Lookin’ Up, Best Of Blues + Live, Blues Tracks 2 and his most recent release “Don’t Feed The Alligators” which was released in 2000.
Pat’s Blues Bureau years are perhaps his most significant, as he has worked with many musicians and the songs feature more of the classic blues-based guitar that fans crave. Sort of a return to the sounds and style that originally made us pure Travers fans.
While touring and supporting the latest releases, Pat has been impressing both old and new fans across the US and Europe. Recent tours have featured guitarists such as Jeff Watson of Night Ranger, Rick Derringer and Tim Keiffer of Cinderella. Touring musicians in the Blues Bureau’s early years included Sean “Cannon” Shannon, bassist Dave La Rue, and bassist Kevin Rian. Pat played the tunes to adoring fans in small clubs and stadiums with the same intensity he’s always had. Regardless of the amount of crowd, Pat gives the same effort night after night.
Looking back, Pat is enjoying a career revival. After overcoming many issues that would have made most give up, Pat still keeps going. Which is much to the credit of the fans who continue to follow. Not only is Pat climbing back up, he gets to enjoy it with those closest to him, his family. Pat’s wife Monica sings on many of Pat’s songs both in the studio and live. His children, Amanda and Elijah, have inspired songs and certainly help excite and inspire Pat to continue doing what he does best, and of course that is making some of the best music possible.
The Pat Travers Band continues to tour the world, “Makin’ Magic” for their die-hard fans. While Pat has worked with some great musicians on previous tours, he currently works, records and tours with Eric “Freight-train” Frates (drums) and Rick Navarro (bass). Rick and Eric are longtime friends and it shows in what they bring to the stage night after night. They provide PT with a nice tight platform on which to lay down his signature licks.
Much to the delight of his fans in 2001, Pat made available a LIVE recording of a very rare solo performance, Pat Travers Solo. This CD contains the very first time Pat has done an acoustic set. It was recorded live at Nils Lofgren’s Guitar Bar in Henderson, Nevada.
In 2001, Pat Travers also took part in the “Voices of Classic Rock” tour, which featured a wide variety of musicians from the big bands of the 70’s and 80’s. Among them are Deep Purple bassist Glenn Hughes and vocalist Joe Lynn Turner, John Cafferty, Spencer Davis and Gary U.S. Bond to name a few. On this tour, each artist will play two or three of their signature songs. On this tour, PT performs “Boom Boom”, “Snorting Whiskey” and “HotShot” and does much of the lead guitar work on the other songs.
***
Partly written by
David C Rasche (RIP)
and
William J Burke
***
In remembrance
The original PT biography was written by Dave Rasche. Dave has died. His original writings have been modified since his death but will always remain a part of this site.
Pat Travers
musical artist
Patrick Henry Travers (born April 12, 1954) is a Canadian rock guitarist, keyboardist, and vocalist who began his recording career in the mid-1970s.[2]
Early life[edit]
Travers was born and raised in Toronto, Canada. Shortly after picking up the guitar at the age of 12, he saw Jimi Hendrix perform in Ottawa. Travers began playing in bands as a teenager; His first bands were Music Machine (not to be confused with the California psychedelic/garage band of the same name), Red Hot and Merge, who played clubs in the Quebec area.
While performing with Merge, he was noticed by rock artist Ronnie Hawkins, who invited Travers to perform with him. In his early twenties, Travers moved to London and signed a record deal with the Polydor label.[2] His self-titled debut album was released in 1976 and featured bassist Peter “Mars” Cowling, who would become a mainstay in Travers’ band for several years.[2] An appearance on the German TV show Rockpalast in November 1976 was later released on DVD under the title Hooked on Music. This performance features an early version of Travers’ band with Cowling and drummer Nicko McBrain.[2]
Career [edit]
Rise to Popularity[edit]
In 1977, Travers added a second guitarist to his band, changed drummers twice, including using Clive Edwards, and by the time Heat in the Street was released in 1978 he had assembled the Pat Travers Band. This grouping consisted of Travers on vocals and guitar, Pat Thrall on guitar, Cowling on bass and Tommy Aldridge on drums and percussion. The band toured extensively and also supported Rush on their Drive til You Die tour in support of A Farewell to Kings.
The guitar that Travers used most on stage and on album covers during the band’s early years was a 1964-65 Gibson Melody Maker model with double cutaway and double humbucking pickups. The band’s next release was a live album entitled Live! Go for What You Know, which charted in the US Top 40 and featured the tune “Boom Boom (Out Go the Lights)” (originally recorded by Little Walter, credited to Stan Lewis), which climbed even higher in the charts, in entering the top 20. “Snortin’ Whiskey” was a major American radio hit from Crash and Burn in the 1980s.
After performing in front of 35,000 people at the Reading Music Festival in England, both Thrall and Aldridge announced that they were leaving the band to pursue other projects.[2] Travers and Cowling teamed up with drummer Sandy Gennaro and released Radio Active that same year. A co-headlining tour with Rainbow followed, and the two bands performed in major arenas across North America. Although the tour was Traver’s most successful road out, Radio Active’s album barely made the top 40, peaking at number 37.[4]
It was very different from Travers’ earlier work, with more emphasis on keyboards than heavy guitars. Disappointed with the lack of sales, Polydor removed Travers from their list and in turn sued the record company, saying he was signed to them to record more material. He won the lawsuit and was able to publish Black Pearl in 1982.
This release also featured more mainstream music than the hard-driving rock that Travers had previously recorded, and featured the hit single “I La La La Love You”, which aired on mainstream Top 40 and album-oriented rock stations, as well as the film by 1983 a prominent role played valley girls. Hot Shot was Travers’ last release of original music on a major label and a return to a heavier rock style than his previous two albums. One of Travers’ best-received projects, it went virtually unnoticed and is best remembered for the single “Killer.” During this time, Travers also released Just Another Killer Day, a 30-minute home video featuring music from Hot Shot, a sci-fi short story about sexy alien women here on Earth looking for information about music. In 1984, Travers again endorsed Rush. Alex Lifeson is one of Travers’ many admirers.[5]
Prior to the release of Hot Shot, longtime bassist Cowling left the band, and Travers worked with various bassists including Cliff Jordan and Donni Hughes until Cowling’s return in 1989. Jerry Riggs also joined the Pat Travers Band around this time, and he and Travers created a guitar team that fans found hard to keep up with. After the release of Hot Shot in 1984, Polydor planned to issue a greatest hits package and then ended her relationship with Travers.
The second half of the 1980s was pretty grueling for Travers. After starting the decade at the top of the music game, in 1986 he found himself without a record deal and forced to regain a living by playing nightclubs and constantly touring. By 1990 he had signed to a small European label and released School of Hard Knocks.[2] The project was completely ignored by radio. A full-length concert video, Boom Boom – Live at the Diamond Club 1990, was filmed in Toronto for release on CD next year as Boom Boom, but Travers still hasn’t been able to return to the success he had ten years earlier . only works on indie labels, like Lemon Recordings.
1990s, return to form [ edit ]
Shortly thereafter, Travers signed a deal with US-based Blues Bureau International Records, a company founded by producer Mike Varney. Travers’ first recording for the label was Blues Tracks, released in 1992.[2] Several more releases on the BBI label followed in the 1990s. In 1993, Travers parted ways with both Jerry Riggs and Peter “Mars” Cowling, and Riggs was briefly replaced by former Foghat guitarist Erik Cartwright. The relationship was brief and Travers has since worked with a variety of musicians. Travers sang on the song “Get the Funk Out” by Boston metal band Extreme from their 1990 album Pornograffitti.
Later years[edit]
Despite a large and loyal fan base calling themselves the “Hammer Heads,” Travers was unable to regain the commercial success it once had. In 2001, Travers was part of the “Voices of Classic Rock” tour and had a minor hit with Leslie West of the band Mountain called “Rock Forever”. In 2004, Travers embarked on a project with veteran drummer Carmine Appice and toured the United States. Travers recorded covers of bands such as Led Zeppelin, Montrose, Queen and Trapeze under the album name P.T. on. Power Trio 2 and they toured Europe in November 2006. He also performed with the band Scrap Metal.
From 2008 to 2016 was one of the longest/most enduring line-ups for the Pat Travers Band. Travers was joined by Kirk McKim (2006-2015; guitar/vocals), Sean Shannon (2008-2010; drums), followed by Sandy Gennaro (2010-2016) and Rodney O’Quinn (2007-2016; bass/vocals). The band released the album Fidelis in late 2009. In July 2013 they released Can Do through Frontiers Records, a major label based in Italy. Can Do was supported by PTB tours in the US, UK and Europe in the second half of 2013. In January 2015, Frontiers Records released Live at the Iridium NYC, recorded in February 2012.
Recognition [ edit ]
Paul Gilbert has called Travers a “guitar god”,[6] and Metallica’s Kirk Hammett has called him one of his favorite guitarists.[7]
Members of the Pat Travers Band
Pat Thrall, Nicko McBrain, Clive Edwards, Mick Dyche, Tommy Aldridge, Peter “Mars” Cowling, Barry Dunaway, Jerry Riggs, Gunter Nezhoda, Carmine Appice, Michael Shrieve, Nicko McBrain, Aynsley Dunbar, Kirk McKim, Sandy Gennaro, Rodney O “Quinn, Sean Shannon and Frank McDaniel are some of the well-known musicians who have been members of the Pat Travers Band over the years.
As of 2021 the band consists of Travers (vocals, guitars), Tommy Craig (drums) and David Pastorius (bass).
In popular culture[edit]
“Rage of Travers,” the ninth track on The Mountain Goats’ 2017 album Goths, recounts an incident where Travers, while on tour in 1982 or 1983, was guitar in hand and looking for a jam at a Bauhaus concert after his own appearance ended. The refrain “Nobody wants to hear the 12-bar blues/from a guy in platform shoes” underscores the speed at which the commercial rock landscape was changing in the early 1980s, particularly as MTV promoted more visually distinctive acts.
Discography[ edit ]
1976 Pat Travers
1977 making magic
1977 Correct
1978 heat on the street
1978 The Pat Travers You Missed Mini Album (EP)
(EP) 1979 Live! Go for What You Know (live at the Opry House 1979)
(live at the Opry House 1979) 1980 Crash and Burn
1981 Radio active
1982 Black Pearl
1984 Hot Shot
1990 Hard Punch School
1991 Boom Boom (live 1990)
(live 1990) 1992 BBC Radio 1 Live in Concert (live 1977 and 1980) (re-release 2000)
(Live 1977 and 1980) (Re-release in 2000) 1992 Blues Tracks
1993 Just One Touch
1994 blues magnet
1995 Halfway to somewhere
1996 Look up
1997 King Biscuit Flower Hour (live 1984)
(live 1984) 1998 Blues Tracks 2
2000 Don’t feed the alligators
2000 Boom Boom – Live at the Diamond Club 1990 (CD & DVD)
(CD & DVD) 2003 Etched in Stone (2-CD live 2002)
(2-CD live 2002) 2003 P.T. Power Trio (also called Power Trio)
(aka) 2003 From the Front…Live! (DVD audio live 1984)
(DVD-Audio live 1984) 2005 PT=MC2
2006 P.T. Power Trio 2
2007 BoomBoom (Out Go the Lights) (live)
(live) 2008 Stick with What You Know – Live in Europe (live 2007)
(live 2007) 2009 Travelin’ Blues
2010 Fidelis
2012 blues on fire
2013 Live at the Bamboo Room (Live CD & DVD)
(Live CD & DVD) 2013 can do that
2014 Snortin’ Whiskey at the Warfield (Official Bootleg)
2015 Live at Iridium NYC
2015 retro rocket
2017 Live at the Rockpalast (1976)
Momentum 2019!
Singles released during major label career[edit]
1976 “Makes No Difference” (promo single for debut album)
1976 “Stop and Smile”
1977 “Stevie”
1977 “Rock ‘n’ Roll Susie”
1977 Getting Betta
1977 “Life in London”
1978 “Heat on the Road”
1978 “Go All Night”
1979 “Boom, Boom (Out Go the Lights) – Live!” (British single)
1980 “Is This Love” (US single)
1980 “Snortin’ Whiskey” (US single)
1980 “Evie” (the only single in the Netherlands)
1980 “Crash and Fire”
1980 “(Your Love) Can’t Be Right”
1981 “My Life Is At Stake”
1981 “New Age Music”
1982 “I Love You”
1982 “Rockin'”
1982 “I’d Rather See You Dead”
1984 “Women on the Edge of Love”
1984 “Killer”
Compilation albums[edit]
1985 Boom Boom: The Best of Pat Travers
1990 An Anthology Vol. 1
1990 An Anthology Vol. 2
1991 The Best of Pat Travers
1997 Best of Blues + Live! (studio and live recordings from 1997)
(Studio and live recordings from 1997) 2003 20th Century Masters: The Best of Pat Travers
2004 Rock Solid: The Essential Collection (Germany)
(Germany) 2008 8+8: The Best of ’70–’80 (live recordings) (Germany)
(Live Recordings) (Germany) 2015 Feelin’ Right (The Polydor Albums 1975–1984 Remastered)
Travers & Appice albums [ edit ]
2004 It takes a lot of eggs
2005 Live at the House of Blues
2005 bazooka
2016 The Balls Album
Guest appearances[ edit ]
See also[edit]
signal zero
Pat Travers Full Tour Schedule 2022 & 2023, Tour Dates & Concerts – Songkick
Pat was available to viewers before the show. He was basically on the same floor as the rest of us.
Vamp’d Rock House in Western Sahara in Las Vegas is absolutely gorgeous. Lots of beers on tap as well as ground floor and tables. The restaurant was also in full swing.
Pat was on time and definitely ready to rock out for over 90 minutes.
Counts77 lead singer Danny Cooker took the stage and sang Snortin’ Whiskey with the Pat Travers Band. One thing I heard from Cooker last night… Pat Travers played with Counts77 on their first album. That’s something I need to check.
We heard a lot of the big ones last night… Heat in the Street, Gettin’ Betta, etc.
Pat Traver’s band was great. If you think they sound good on disc… you have to hear them in person… what an experience.
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