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Jarrod Radnich Net Worth : $ 4 Million
Let’s check out Jarrod Radnich’s updated 2021 salary report on net income given below:
Jarrod Radnich Salary/Income:
Per year: $4,00,000. Per month: $32,000. Per week: $8,000
Per day:
Per hour:
Per minute:
Per second:
$1140
$19
$0.3
$0.05
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YBS Youngbloods – Net Worth, Lifestyle \u0026 Biography 2021
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See some more details on the topic Jarrod Radnich Net Worth, Income, Salary, Earnings, Biography here:
Jarrod Radnich Net Worth & Earnings (2022)
Jarrod Radnich is a YouTuber with 362 thousand subsribers. Find out Jarrod Radnich’s net worth and earnings.
Source: www.networthspot.com
Date Published: 8/26/2021
View: 511
Jarrod Radnich Net Worth & Short Biography 2022
Jarrod Radnich profession is Composer. Jarrod Radnich current net worth is $6 Million. Jarrod Radnich height is n/a. Jarrod Radnich occupations is Composer.
Source: jobsmarketupdate.com
Date Published: 5/18/2022
View: 6088
FEATURED INTERVIEW: MEET JARROD RADNICH
I was introduced to the talent of Jarrod Radnich (MGBH) by one of my … where no child has ever been turned away due to inability to pay.
Source: magazine.pianoperformers.org
Date Published: 6/16/2022
View: 9341
wild child net worth – Experiencias Agua Selva
Go to next page for details on Chad Wild Clay’s net worth and earnings. … His Sources Of Income, Salary, And Career, Legendary Comedian And Actor Jerry …
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Date Published: 12/15/2021
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Jarrod Radnich Net Worth & Earnings (2022)
Jarrod Radnich Net Worth & Income
Jarrod Radnich is a well-known music YouTube channel and has gained 362,000 subscribers on the platform. Jarrod Radnich started in 2012 and lives in the United States.
There’s one question everyone wants answered: how does Jarrod Radnich make money? Only Jarrod Radnich really knows, but we can make some excellent estimates using data from YouTube.
What is Jarrod Radnich Net Worth?
Jarrod Radnich has an estimated net worth of around $100,000.
While Jarrod Radnich’s exact net worth isn’t publicly reported, Net Worth Spot uses data to come up with an estimate of $100,000.
$100,000 forecast based on YouTube ad revenue only. That means Jarrod Radnich’s net worth could actually be a lot higher. Considering these additional revenue streams, Jarrod Radnich could be worth closer to $250,000.
How much does Jarrod Radnich make?
Jarrod Radnich makes an estimated $16.54K per year.
Jarrod Radnich fans often ask the same question: how much does Jarrod Radnich make?
Jarrod Radnich’s YouTube channel receives around 9.19 thousand views daily.
Monetized channels generate money by serving ads for every 1,000 video views. Monetized YouTube channels can earn $3 to $7 per thousand video views. Using these estimates, we can estimate that Jarrod Radnich makes $1.1,000 a month and reaches $16.54,000 a year.
However, $16.54,000 per year may be a low estimate. At the high end, Jarrod Radnich could make nearly $29.78k a year.
YouTubers also rarely have a source of income. Influencers can promote their own products, have sponsors, or earn revenue through affiliate commissions.
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Jarrod Radnich Net Worth & Short Biography 2022 – JobsMarketUpdate
Here we shared Jarrod Radnich Net Worth and briefly WiKi. Jarrod Radnich is a composer. Check the net worth below.
Jarrod Radnich Net Worth?
Jarrod Radnich current net worth is $6 million.
Jarrod Radnich short biography
Jarrod Radnich is a composer by profession. Jarrod Radnich current net worth is $6 million. Height of Jarrod Radnich is n/a. Occupations Jarrod Radnich is a composer. People know Jarrod Radnich as Jarrod Radnich.
Biological Details Full Name: Jarrod Radnich Nicknames: Jarrod Radnich Date of Birth (not found) Height: (N/A) Net Worth $6 million Profession Composer Profession: Jarrod Radnich Composer Wiki
Frequently asked Questions:
What is Jarrod Radnich net worth?
Jarrod Radnich net worth is $6 million.
How tall is Jarrod Radnich really?
Height of Jarrod Radnich is (N/A).
FEATURED INTERVIEW MEET JARROD RADNICH – Piano Performer Magazine
Interview by Esther Basha (MGBH)
The talent of Jarrod Radnich (MGBH) was introduced to me by one of my friends kids who came up to me and with mesmerizing excitement in his eyes asked, “Would you like to see something cool?” He opened his laptop and showed me a video of Jarrod Radnich’s arrangement performance of the theme “Pirates of the Caribbean”. As Jarrod played, I watched the 12-year-old boy’s eyes in wonder and awe. At the end of the performance, the boy exclaimed, “Did you see that!?” I have to admit: this 12-year-old boy passed his excitement on to me, and as soon as I had a minute to sit quietly at my desk, saw I watch all of Jarrod’s YouTube videos… more than once. To me, this 34-year-old Southern Californian embodied the epitome of a true artist who not only engages a listener’s auditory senses but does so much more by providing a rich, multi-sensory experience of piano playing for a diverse audience. A creative talent not so common in the piano world. All of this inspired me to approach Jarrod Radnich for an interview.
Piano Performer Magazine (PPM): Please tell our readers a little bit about yourself. Where and how did you grow up?
Jarrod Radnich (JR): I grew up in the artistic and eclectic desert town of Joshua Tree in Southern California, just north of Palm Springs. My backyard was literally Joshua Tree National Park (it was designated a national monument at the time), and the total population of the city was less than 3,000, with quite a distance between neighbors and, even more so, other young people my age. My parents used to live on the beach. When they decided to start a family, they wanted to move away from the city. They weren’t joking either. We were so far out we couldn’t even get cable TV… so I would be climbing, writing music, practicing and having lots of time to myself.
I was playing with Legos when my mother came into my room and asked me if I wanted to start learning the piano. I looked up, said “sure” and got back to building my Lego masterpiece…
PPM: How did you decide to become a pianist?
JR: Actually, although most people find it hard to believe, there was never a time when I decided to become a pianist. Instead, my early passion for composing was the driving force in my decision to become a professional musician, and the pianist part just came with it. I’m naturally very scared when I’m composing because I ‘hear’ so much more than what can be created on the piano as it now exists or any other singular instrument. Apart from that, the piano is truly unique and incomparable. At its core, it is an inherently percussion instrument – rhythmic and inherently primal; but it can also be hauntingly lyrical, producing melodies woven into beautifully rich harmonic textures. My introduction to the piano came from my astute first grade teacher, Debbie Bernardini (MGBH). Since I was worried that I would finish all my homework before the school day was over, she suggested to my parents that I needed something to challenge myself. She recommended that I take piano lessons. The next day I was playing with Legos when my mother came into my room and asked me if I wanted to start learning the piano. I looked up, said “sure” and got back to building my Lego masterpiece… and that’s how it all began.
PPM: What did your parents do for a living and how did your choice of career influence you?
JR: While an avid surfer in his free time, my father is an artist by nature and became a sought-after general contractor and creative tile specialist, co-writing the California licensing tests for both tile and wrought iron installations. He now designs and builds incredible custom hot rods. When I was growing up, my mother worked with my father in their construction business and also as the executive secretary of the American Red Cross chapter. I believe it was in these environments that I learned the value of a strong work ethic and the importance of volunteering, which I spend a significant amount of my time doing. I was also exposed to creative thinking and artistic expression.
PPM: Do you have any siblings?
JR: I’m the youngest of two brothers, although it’s funny that most people don’t realize we’re brothers – with virtually no visual resemblance and our temperaments are quite different. My paternal grandfather was one of the founders of Bonneville Raceway (Salt Flats), and my brother definitely has the Radnich auto gene – he’s a fleet maintenance manager for a sizeable fleet of heavy-duty vehicles for a large telecom construction company. He is also creative, hardworking and appreciates our upbringing. I too like fast and exotic cars and am thrilled to have recently added the new Lamborghini Huracan to my garage!
PPM: Do you have a family of your own? Children? What are your views on the importance of family?
JR: I’m engaged to a spectacular woman and I’m thrilled. Right now, my only “kids” are two furry, 115-pound, playful Malamute crossbreeds who think they’re lapdogs. I believe family is a state of mind – blood matters, but ethics and character matter most.
PPM: In one of your interviews I read that you became a piano teacher when you were … 11? How did it come about and who was your first student?
JR: I’ve been performing, backing school plays and things like that for a number of years and parents have asked if I would teach their children, many who were in my elementary school. Within two years I had a regular weekly roster of over 30 students, ranging from teens to adults, and was ironically making more money than my school music teachers. But it wasn’t the money that mattered to me. It’s exciting to help someone else achieve – and even exceed – their musical goals. Teaching is such an honor and responsibility and I am grateful to have received the gift of being a great teacher myself – and when the passion is genuine it naturally spreads and you pass on that gift.
I’m honestly an introvert but enjoy performing on stage and keeping the audience interested.
PPM: When and under what circumstances did you make your first public appearance? How did you feel before and after?
JR: Ironically, my first public appearance as an “actor” was in the first grade production of PETER PAN. I was Michael, and it’s painful to admit, but I scared my first year girl because I seemed to play so authentically that she thought I was sleeping on stage. I’m honestly an introvert but enjoy performing on stage and keeping the audience interested. I can’t actually remember my first piano performance, but that was probably in elementary school, accompanied by a drama performance. It was always fun because, as is typical for a boy that age, I had to drop out of my regular class to work on the play.
PPM: Where was the Game of Thrones video filmed?
JR: This video was filmed in San Luis Obispo at Morro Bay State Park. We received permission and licensing from California State Parks and the California Film Commission to film directly on a fire road and place this beautiful Mason & Hamlin piano on the edge of a cliff overlooking the ocean. It was quite incredible that the pod of humpbacks circled and didn’t continue their migration – some say they stayed for the music. To be honest, that wasn’t CGI… and some say the same goes for the dragons. It was a fun, intense video to shoot, and it played for the Emmy Awards.
PPM: Your company Mastermind Studios produces your own videos. Are you also your own creative director?
JR: Yes, but it’s a team effort. My manager/co-producer and I are discussing which projects we want to get involved in and we have a lot of important projects going right now. As with all my compositions, I conceive the visual elements while creating the piece itself. We have a phenomenal production team with incredible talent at creating beautiful content and footage. We discuss and work together on perspectives and techniques, scenes and concepts. Then my co-producer and I go back to the editing studio, select the footage we want to use to work on the storyboard, and finally do the post-production video editing and mixing that creates the visual rhythm and movement to suit each one Part of the unfolding composition.
PPM: Let’s talk a little bit about creativity. How does a process work to take an idea from the ether and translate it into physicality?
JR: First I have to determine exactly what I want to say – what I want to communicate through sound. This initial vision is crucial when beginning to compose a new work, for it is the raw gist that gives direction and authenticity to the piece. While many notes can be written to underscore the drama either on film or on stage, I believe the melodic themes need to carry the ethos of the piece in a way that is both familiar and intriguing. If you want a piece to be successful it has to be able to repeat itself in the minds of your listeners, so the stripped down melody, free from flourishes, has to be incredibly relatable. In discussions specific to composition for piano, I experiment and improvise extensively on the piano, turning themes inwards and outwards and looking at various small motifs and elements to build upon. I also write down the many contrapuntal elements I work with to find the best way to bring them to life within the confines of just two hands.
I experiment and improvise extensively on the piano, turning themes inwards and outwards and looking at various small motifs and elements to build on.
PPM: Do you have a favorite video (that you produced) and why?
JR: It was incredibly exciting to produce them all, but I have to say that I particularly love the artistry of BOHEMIAN RHAPSODY and also the rawness of GAME OF THRONES.
PPM: Can you tell our readers an interesting/funny story that may have happened on set while filming one of the videos?
JR: Where do I start! From a handprint on the piano in the middle of shooting Disney STAR WARS that required frame-by-frame editing, to our lead videographer Thor almost literally falling off a cliff during GAME OF THRONES, to the need to wearing three pairs of pantyhose at once for the CINDERELLA shoot… There’s always a backstory.
PPM: Do you practice piano every day? And how many hours a day?
JR: I don’t have a fixed training schedule. It usually varies depending on project and performance deadlines. Although it’s rare, there may be times when I don’t practice for a week. Other times I practice 10-16 hours a day and do nothing else for a week.
PPM: What was the first piece of music you ever wrote?
JR: Since I was quite young I’ve been composing a lot of pieces of music that I never named, all of which were part of learning, but whose melodic lines and ideas may have matured and found their way into pieces that I later composed. My first copyrighted piece was a song composed for a ninth grade friend (still, I know). Ironically, the piece was later used for a TV special when I competed for Best Pianist at the L.A. Music Center’s Spotlight Awards, and again when I scored the Disklavier… it ended up in every Disklavier in the world.
My first copyrighted piece was a song composed for a ninth grade friend (still, I know).
PPM: Do you have a role model as a pianist/pianist that you grew up with as a child?
JR: Victor Borge (OBM). I loved this guy and everything he brought to the world. He was classy, brilliant, entertaining and knew how to captivate and delight an audience.
PPM: Can you please tell our readers a bit about your StarLIGHTS series music/book software project?
JR: StarLIGHTS is one of many recreational music projects I’ve been involved with, and the concept for this particular series came from my longtime friend Dr. Barry Bittman (MGBH) of the YAMAHA Music and Wellness Institute. The purpose of the series is less educational and more a catalyst for people to engage in the process of making music so they can benefit from the many improvements in health and wellbeing that come from participating in such recreational music making.
PPM: Your biography mentions that “as a teenager he directed the music of Babes in Arms (McCallum Theatre). What was this project about?
JR: I was rehearsing another show when their pianist dropped out unexpectedly. Having a jazz background before I went to classical school I made a good impression with the director and by the age of 17 I was directing, playing and writing all the big band charts for BABES IN ARMS at the prestigious McCallum Theatre.
PPM: Who are some of your favorite classical composers?
JR: Undoubtedly, Ravel (OBM), Rachmaninoff (OBM) and Beethoven (OBM). In each of them I am drawn to the passion, intensity and color of their music.
PPM: What is PianoTube?
JR: PianoTube LIVE is a Mastermind Studios invention that uses YouTube to broadcast any pianist’s performance recorded on a PianoDisc system as a true live performance on any other PianoDisc-equipped acoustic piano or pianos. This means that, for example, my actual keystrokes with their nuances are transmitted digitally and then physically performed on another piano playing the YouTube video somewhere else – right in front of the eyes and ears of the people at the other piano. Using the YouTube distribution network, one can record and upload their performance or simultaneously stream it live to literally millions of pianos around the world without the need for significant bandwidth. Music Trades magazine called it a “dazzling” innovation.
PPM: What commercials did you write music for?
JR: As a ghostwriter, this information remains confidential. A public commercial is a public announcement for the Great American Shakeout – a reminder of earthquake preparation. I wrote the music and sang it too.
PPM: How is writing music for commercials different from writing for other projects?
JR: It varies a lot depending on the project. The entire piece inherently lives in a much shorter lifespan, so everything has to be very efficient and development (if any) has to be done very quickly.
PPM: What music did you write for Disney?
JR: I’ve had many great projects with Disney, and it started when I was first commissioned to compose and record original arrangements and create two new major attractions at Disneyland, all as part of the Dream Home of the Future exhibit. Perhaps most famously, I arranged a musical medley from the film Pirates of the Caribbean, and my subsequent performance of that piece was used in the exhibition for some seven years and played to thousands of visitors daily. The success of this and the other exhibition arrangements led to the further creation and “opening of the vault” for permission to create advanced piano arrangements of Disney classics like never before, and is part of a partnership with Musicnotes.
PPM: Are you still President of the Hi-Desert Cultural Center? If so, what are your responsibilities there? And what are your goals for this organization?
JR: Most of the time I volunteer to help rebuild this iconic arts center in my community. We are currently engaged in major renovations to the historic main theater which seats over 300 and a major expansion of the centre’s rear performance hall to accommodate an additional theatre, classroom and practice room. We provide world-class arts education to over 250 local youth in our after-school programs, where a child has never been turned away for insolvency. We are now part of a team forming a new school of arts and technology. Additionally, the Cultural Center has grown into one of Southern California’s premier theater organizations and is home to the Joshua Tree Philharmonic, an intergenerational community orchestra of which I am honorary maestro.
[At the Hi-Desert Cultural Center] we provide world-class arts education to over 250 local youth in our after-school programs, where a child has never been turned away for insolvency.
PPM: What are your hobbies and how do you spend your “time off”?
JR: You’re joking. downtime? What is that? Jokes aside, I’m currently volunteering and leading a team starting a new school focused on arts and creative technologies, so I haven’t had much downtime over the past year. I generally decompress in nature and have a passion for botany… and exotic cars.
PPM: Do you exercise regularly?
JR: I joke that conducting or playing the piano like I do is definitely a sport! Seriously, I run, hike, and do smart weightlifting. I surfed a lot growing up and it’s something I really want to do again.
PPM: Do you eat healthily? What is your favorite food?
JR: I definitely eat healthy and my body prefers the caveman diet – keep it organic with as few ingredients as possible. I’ve never been into soda or anything carbonated and I don’t eat fast food. For a favorite meal, some authentic corn-free tacos, or a meal that’s extra special, you can’t go wrong with a steak accompanied by a red wine reduction, escargot or caviar and a glass of Burgundy from France’s Puligny-Montrachet region followed by a Grande Marnier soufflé… oh, and some Brussels sprouts (tossed in olive oil and then browned with butter and balsamic vinegar and a sprinkling of nutmeg and salt).
I definitely eat healthily […] and organically with as few ingredients as possible.
PPM: Do you practice any form of religion? What is your understanding of and relationship with God?
JR: Music is a spiritual experience and as a Christian I have always had a close relationship with God and an acknowledgment of this higher power. There are few great musicians I’ve met who don’t recognize and revere that there are forces far greater and more complex than ourselves.
PPM: Thank you Jarrod. We wish you Happy Holidays and a prosperous year full of blessings and many projects where you can share your talent with others and bring them joy by listening and watching your beautiful performances.
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