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Jeff Castelaz Biography, Education, Wife, Children, Career And Foundation? Quick Answer

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jeff castelaz biography,

Jeff Castelaz is Co-Founder and Chairman of the Board of the Pablove Foundation. He also founded Cast Management in 1990 and manages Dropkick Murphys and record producers Tony Hoffer and Justin Meldal-Johnsen.

A music industry veteran, Jeff recently resigned as Present of Warner Music Group’s Elektra Records and co-founded the respected indie company Dangerbird.

Jeff Castelaz Age

Jeff Castelaz age will be updated soon

Jeff Castelaz Education

A native of Milwaukee, he attended Milwaukee Trade and Technical High School and Marquette University.

Jeff Castelaz Wife

Jeff is married to Jo Ann Thrailkill

Jeff Castelaz Children

Jo Ann Thrailkill and Jeff Castelaz had two children, son Grady and son Pablo, who died of cancer at the age of six.

Jeff Castelaz Career

Castelaz left Dangerbird in September 2012 to become Present of Elektra Records.

He stepped down as head of the label in September 2015 to focus on his work with cast management and community service. “It’s a dream come true with Elektra Records,” Castelaz told Billboard. “As part of Atlantic Records Group, I’ve learned so much from Craig [Kallman] and Julie [Greenwald] and will forever count on them as business mentors and friends.”

Pablove foundation

The Pablove Foundation is a United States non-profit child cancer organization founded by Jo Ann Thrailkill and Jeff Castelaz.

Jeff Castelaz Facebook

https://web.facebook.com/pages/Jeff-Castelaz/399589663423168?rf=568137090012797&_rdc=1&_rdr

jeff castelaz (@pablovejeff) | Twitter

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News from Jeff Castelaz

Music executive Jeff Castelaz is preparing for his tenth re in honor of his son Pablo Castelaz and supporting the charity established in honor of the six-year-old, who died in 2009 from bilateral Wilms’ tumor, a rare form of childhood cancer.

“In the first year I really just went on a trip that was both personal and very public,” described the 3,100 re from St. Augustine, Fla. to Los Angeles in 2009. It also included former professional cyclist Lance Armstrong, which became a national story after being covered by ABC Nightly News.

This year, Castelaz and 50 other cyclists are preparing for the tenth re of Pablove Across America to raise money to invest in underfunded childhood cancer research, education and improving the lives of young cancer patients through the arts. This year’s re begins September 30 in San Rafael, California and will conclude seven days later in Los Angeles with a goal of raising $1 million.

“The re is about 100 miles a day with about 35,000 feet of elevation gain, which is a lot of elevation gain in a week,” sa Castelaz, who runs management firm Cast Management with clients like Dropkick Murphys, Violent Femmes, KT Tunstall and Blues Traveler.

More of Pablove Foundation.

Castelaz founded the Pablove Foundation in May 2008 with his former wife and Pablo’s mother, Jo Ann Thrailkill, who is the executive director of the Pablove Foundation.

The Pablove Foundation has donated nearly $3 million to support cancer research, often in the form of $50,000 seed grants for top scientists and researchers.

“We operate like an indie label,” sa Castelaz, who founded Dangerbird Records in 2004 and managed Elektra for several years before retiring in 2015 to focus full-time on management and the Pablove Foundation. “We award small grants for new innovative science and support young researchers.

We act like Dangerbird used to do when we signed a band like Silversun Pickups or Fitz and the Tantrums and built a business out of a band that nobody else would think of. With the Pablove Foundation, we fund researchers who just don’t look at others.

And we’ve had a number of researchers that have been published, which is a big deal, and a number of researchers that have secured funding from big foundations and government agencies like the National Institutes of Health, and that’s a direct result of that bike re.

The Pablove Foundation employs a Scientific Advisory Board composed of oncologists and researchers who make recommendations to the Foundation’s Board of Directors on which projects should be funded.

Money from the re also goes to the Pablove Shutterbugs, who teach children with cancer the art of photography. Each biker participating in the re is tasked with raising a set amount for the charity, funded by indivual donations to sponsored rers.


Jeff Bezos ☆ Biography ☆ Early Life ☆ Education ☆ Career ☆ Personal Life ☆ Net Worth

Jeff Bezos ☆ Biography ☆ Early Life ☆ Education ☆ Career ☆ Personal Life ☆ Net Worth
Jeff Bezos ☆ Biography ☆ Early Life ☆ Education ☆ Career ☆ Personal Life ☆ Net Worth

Images related to the topicJeff Bezos ☆ Biography ☆ Early Life ☆ Education ☆ Career ☆ Personal Life ☆ Net Worth

Jeff Bezos ☆ Biography ☆ Early Life ☆ Education ☆ Career ☆ Personal Life ☆ Net Worth
Jeff Bezos ☆ Biography ☆ Early Life ☆ Education ☆ Career ☆ Personal Life ☆ Net Worth

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Jeff Castelaz Biography, Education, Wife, Children, Career …

Jeff Castelaz Biography, Jeff Castelaz is the co-founder and chairman of the board at The Pablove Foundation. In addition he founded Cast Management in.

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Date Published: 2/8/2021

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Jeff Castelaz Biography, Education, Wife … – InformationCradle

. Castelaz co-founded the Pablove Foundation in May 2008 with his former wife and Pablo’s mom Jo Ann Thrailkill, who is chief …

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Date Published: 5/4/2021

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Jeff Castelaz Bio, Age, Wiki, Family, Wife, Children, Salary and …

Jeff Castelaz Wiki Jeff Castelaz is the co-founder and chairman of the board at The Pablove Foundation. In addition he founded Cast …

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Pablove co-founder channels loss into hope – OnMilwaukee

Her husband, Jeff Castelaz, who is the current present of Elektra Records, was born and raised in Milwaukee. In 2003, the couple had a son, …

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Date Published: 10/1/2022

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Jeff Castelaz Bio, Age, Wiki, Family, Wife, Children, Salary and Net Worth

Last updated on July 5, 2022 by the administrator

Jeff Castelaz Wiki

Jeff Castelaz is co-founder and CEO of the Pablove Foundation. He also founded Cast Management in 1990 and manages Dropkick Murphys and record producers Tony Hoffer and Justin Meldal-Johnsen.

Jeff Castelaz biography

A native of Milwaukee, he attended Milwaukee Trade and Technical High School and Marquette University.

Castelaz left Dangerbird in September 2012 to become President of Elektra Records.

He stepped down as head of the label in September 2015 to focus on his work with cast management and community service. “It’s a dream come true with Elektra Records,” Castelaz told Billboard. “As part of Atlantic Records Group, I’ve learned so much from Craig [Kallman] and Julie [Greenwald] and will forever count on them as business mentors and friends.”

A music industry veteran, Jeff recently resigned as President of Warner Music Group’s Elektra Records and co-founded the respected indie company Dangerbird.

Jeff Castelaz age

Jeff Castelaz age will be updated soon

Jeff Castelaz family

The information will be updated shortly.

Jeff Castelaz wife

Jeff is married to Jo Ann Thrailkill

Jeff Castelaz children

Jo Ann Thrailkill and Jeff Castelaz had two children, son Grady and son Pablo, who died of cancer at the age of six.

Height by Jeff Castelaz

The information will be updated shortly.

Jeff Castelaz Salary

Jeff’s salary is estimated to be between $10,000 and $50,000 per year.

Jeff Castelaz Net Worth

His net worth is estimated to be around $250,000.

Pablove Foundation

The Pablove Foundation is a United States non-profit child cancer organization founded by Jo Ann Thrailkill and Jeff Castelaz.

Jeff Castelaz Facebook

https://web.facebook.com/pages/Jeff-Castelaz/399589663423168?rf=568137090012797&_rdc=1&_rdr

jeff castelaz (@pablovejeff) | Twitter

Tweets by pablovejeff

More from the Pablove Foundation.

Castelaz founded the Pablove Foundation in May 2008 with his former wife and Pablo’s mother, Jo Ann Thrailkill, who is the executive director of the Pablove Foundation.

The Pablove Foundation has donated nearly $3 million to support cancer research, often in the form of $50,000 seed grants for top scientists and researchers.

“We operate like an indie label,” said Castelaz, who founded Dangerbird Records in 2004 and managed Elektra for several years before retiring in 2015 to focus full-time on management and the Pablove Foundation. “We award small grants for new innovative science and support young researchers.

We act like Dangerbird used to do when we signed a band like Silversun Pickups or Fitz and the Tantrums and built a business out of a band that nobody else would think of. With the Pablove Foundation, we fund researchers who just don’t look at others.

And we’ve had a number of researchers that have been published, which is a big deal, and a number of researchers that have secured funding from big foundations and government agencies like the National Institutes of Health, and that’s a direct result of that bike ride.

The Pablove Foundation employs a Scientific Advisory Board composed of oncologists and researchers who make recommendations to the Foundation’s Board of Directors on which projects should be funded.

Money from the ride also goes to the Pablove Shutterbugs, who teach children with cancer the art of photography. Each biker participating in the ride is tasked with raising a set amount for the charity, funded by individual donations to sponsored riders.

Pablove co-founder channels loss into hope

Jo Ann Thrailkill is Executive Director and Co-Founder of the Pablove Foundation, an organization that funds children’s cancer research and advances in treatment, educates and empowers cancer families, and improves the quality of life for children with cancer through hospital games, music and more artistic programs.

Thraillkill was born and raised in New Orleans — and now lives in Los Angeles — but she has long formed and nurtured ties to Milwaukee.

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Her husband, Jeff Castelaz, the current President of Elektra Records, was born and raised in Milwaukee.

In 2003 the couple had a son, Pablo, who at the age of six lost a valiant year-long battle with bilateral Wilms’ tumor, a rare form of childhood cancer.

Thrailkill and Castelaz formed the Pablove Foundation. Over the past three years, the foundation has provided research grants totaling $600,000 for innovative research projects.

The Pablove Foundation regularly hosts fundraisers in Milwaukee — as well as across the United States — and will host its fifth annual benefit concert at Turner Hall on Saturday, January 18th.

The event will feature the Benjamins, Alligator Gun and Subside. The cost is $15 for adults and $10 for children.

“We are so grateful for the love and support Milwaukee has always given us. I wish I could do this year’s show personally — it’s a pop-punk reunion dream,” says Thrailkill.

We caught up with Thrailkill recently and talked about Pablo, Pablove and the lack of great Sazeracs outside of New Orleans.

OMC: How did you meet your husband Jeff considering you were in New Orleans and he was in Milwaukee?

JT: I first “met” him on the phone. Still living in Milwaukee, he directed Citizen King in the ’90s and I executive produced a music video for the band. I couldn’t come to Milwaukee for the shoot, so we called instead.

A few years later, after he moved to Los Angeles to work full-time, we met over another music video for another band he was directing. We were friends first. I’ve always tried to set him up on dates.

One day he finally worked up the courage to ask me out and the rest is history. We eloped to Big Sur with our kids and are celebrating our 10th anniversary next month.

OMC: The Pablove Foundation has other Milwaukee connections as well, right?

JT: Yes, Pablove’s Community Affairs Director Megan McMillan grew up in Germantown and Operations Manager Megan Berardi taught at Pius High School after college on a service learning program.

Pablove has also funded research at Children’s Hospital of Wisconsin/Medical College of Wisconsin. dr Monica Thakar is in the process of initiating a clinical study funded by us. It is a very promising project that we support with honor and pride.

OMC: When was Pablo diagnosed and with what form of cancer? How long has he been battling cancer?

JT: Pablo was diagnosed with cancer in 2008 – actually on Jeff’s birthday. Jeff was preparing Pablo for a birthday dinner when he noticed a lump on his stomach. Four year old boys get bumps and bruises all the time and he appeared to be in excellent health so we never imagined what was about to hit us.

After a night in the ER at Children’s Hospital in Los Angeles, we heard the words no parent ever wants to hear: “Your child has cancer.” Pablo was diagnosed with bilateral Wilms’ tumor, a very rare kidney cancer that mostly affects children under 6 years occurs.

Bilateral means he had tumors in both kidneys. Although Wilms’ tumor can sometimes have a very favorable prognosis, Pablo’s case was anything but easy. He underwent radiation, chemotherapy – hell for Grady (her older son), Jeff and I, but Pablo had a resilience I could never imitate.

Then he relapsed and we just ran out of options. That’s when Jeff and I knew we had to help advance childhood cancer research. Being confronted with a cancer that has no treatment at all is simply unacceptable, especially for children who should have their whole lives ahead of them. Pablo fought for 13 months. He died six days after his sixth birthday.

OMC: How did you get through such a difficult experience? Was there anything you did to make it more bearable?

JT: It would be a lie to say I don’t have bad days. What keeps me going: the love of our friends and community, taking good care of my body and soul through Bikram Yoga, and knowing that I’m making a difference to other families like mine through the Pablove Foundation.

Shirley Manson

Scottish singer and songwriter

Shirley Ann Manson (born August 26, 1966) is a Scottish singer, songwriter, musician and actress. She is best known as the lead singer of the American alternative rock band Garbage. Manson attracted media attention for her outspoken style, rebellious attitude, and distinctive voice.[1][2][3][4][5] For most of her career, Manson shuttled between her hometown of Edinburgh and the US to record with Garbage, originally formed in Madison, Wisconsin; She now lives and works primarily in Los Angeles while maintaining a second home in Edinburgh.

Manson’s musical career began in her teens when she was asked to play backing vocals and keyboards for the band Goodbye Mr Mackenzie. She developed an impressive stage presence and was later approached by the band’s record label with the idea of ​​launching them as a solo artist. She recorded an album with her band under the name Angelfish. After seeing Manson just once in an Angelfish music video that aired on MTV’s 120 Minutes, Garbage invited her to audition, and she ended up joining the band. In 1995, Garbage released their self-titled debut album, a critical and commercial success. The band has released seven studio albums, including the multi-Grammy Award-nominated Version 2.0 and a greatest hits album.[5] Garbage has toured worldwide and sold over 17 million records as of 2017.[7]

In 2006, Manson began writing and recording solo material after Garbage went on hiatus. In 2008, she played a Liquid Metal T-1001 Terminator named Catherine Weaver in the second season of Terminator: The Sarah Connor Chronicles. She returned to the recording studio in 2010 to write and produce material for Garbage’s fifth studio album, Not Your Kind of People, which was released in 2012. The band followed in 2016 with Strange Little Birds and in 2021 with No Gods No Masters.

Early life[edit]

Manson was born and raised in Edinburgh, Scotland

Shirley Ann Manson was born in Edinburgh on August 26, 1966 to Muriel Flora (née MacKay) and John Mitchell Manson.[5] Her father, a descendant of the Northmavine fishing community, was a university lecturer while her mother was a big band singer who was adopted at a young age by a Lothian family and took the surname MacDonald. Manson was named after an aunt who was herself named after Charlotte Brontë’s novel Shirley. She has two sisters: Lindy-Jayne, who is two years her senior, and Sarah, who is two years her junior.[11] They grew up in the Comely Bank and Stockbridge areas of Edinburgh.[12] She attended Broughton High School and her childhood education was taught by the Church of Scotland (her father was her Sunday school teacher) until the age of 12.

Manson’s first public appearance was in 1970 at the age of four with her older sister in an amateur show at the local Church Hill Theatre. Enrolled at Flora Stevenson Primary School, she received instruction in the recorder, clarinet and violin, and by the age of seven was learning ballet and piano in extracurricular classes. Manson was a brownie and girl guide member of Girlguiding UK during this period of her youth. She attended the City of Edinburgh Music School, the music department of Broughton High School.[11] During her time at Broughton she became an active member of the theater company, appearing in amateur dramatic and musical productions such as The American Dream and The Wizard of Oz while also singing with the Waverley Singers, a local girls choir. A Fringe production of Maurice the Minotaur at the 1981 Edinburgh Festival, in which Manson played a prophet, won a Fringe First Award from The Scotsman newspaper.

While enjoying elementary school, Manson was bullied in her freshman year of secondary school, causing her to suffer from depression and body dysmorphic disorder, and self-injury: she carried sharp objects in the laces of her boots and would cut herself, when she was experiencing low self-esteem, stress, or anxiety.[16] The bullying stopped when Manson joined a rebel group, which led to her rebelling herself. She was absent for most of her senior year[12] and began smoking cannabis, sniffing glue, drinking alcohol, shoplifting and on one occasion breaking into Edinburgh Zoo.[17] Manson had ambitions to be an actress as a teenager but was rejected by the Royal Scottish Academy of Music and Drama (RSAMD). Her first job was volunteering in the cafeteria at a local hospital, then as a breakfast waitress at a local hotel before working as a sales clerk for Miss Selfridge for five years. She started at the store’s makeup counters but was eventually moved to storage rooms because of her attitude towards customers. She rose to prominence throughout Edinburgh’s club scene; Using free samples from Miss Selfridge, she styled hair for a number of local bands. She also briefly modeled clothes for Jackie magazine.

Career [edit]

Goodbye Mr. Mackenzie[ edit ]

Manson’s first musical experiences came from briefly singing with local Edinburgh acts The Wild Indians and performing backing vocals with Autumn 1904. [22] While performing with her group, Manson was greeted by Martin Metcalfe, lead of Goodbye Mr Mackenzie. asked if he would like to join his band. Manson was initially in a relationship with Metcalfe but continued to work with the band after breaking up with him and became a prominent member, playing keyboards, supporting vocals and becoming involved in the band’s business side. Manson’s first release with the Mackenzies was a YTS release of Death of a Salesman in 1984.[20] The group signed a major label record deal with Capitol Records in 1987 and they released their debut album Good Deeds and Dirty Rags and their only UK Top 40 entry The Rattler. In 1990 the group’s contract was transferred to Parlophone, another EMI label, but after two singles failed to chart, Parlophone declined to release the group’s second album, Hammer and Tongs.

Gary Kurfirst, who managed Talking Heads and Debbie Harry, bought the Mackenzies contract and released their second album through his own label, Radioactive Records, a subsidiary of MCA Records. After another single failed to chart, the group was persuaded by their management to leave Radioactive.[24] The Mackenzies continued to write material; Manson was also given the opportunity to record lead vocals on a number of tracks planned for the band’s third album. Although MCA had no desire to continue their commitments to Goodbye Mr. Mackenzie, the label expressed interest in recording an album with Manson, and after hearing several demos, Kurfirst signed Manson to Radioactive as a solo artist, with the remaining Mackenzies as their backing band performed to circumvent the band’s existing deal with MCA. Manson’s contract required them to deliver at least one album and up to six additional albums at Radioactive’s sole discretion.[26]

angelfish [ edit ]

Manson and the group, under the Angelfish name and using some of the newly written material and a previously released Mackenzie B-side, recorded the tracks that would make up the Angelfish album in Connecticut with Talking Heads’ Chris Frantz and Tina Weymouth. 5][24] A lead in track “Suffocate Me” was sent to college radio where it was well received. Angelfish and the second single “Heartbreak to Hate” followed in 1994.[20] Angelfish toured Belgium, Canada, France and the USA. The band supported Live along with Vic Chestnutt on a tour of North America. The music video for “Suffocate Me” aired once on MTV’s 120 Minutes. Producer/musician Steve Marker watched the show and thought Manson would be a great vocalist for his band Garbage, which also included producers Duke Erikson and Butch Vig.[27]

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garbage [edit]

Vig invited Manson to Smart Studios to sing on some tracks. After an unsuccessful audition, she returned to Angelfish.[27] Manson admitted she felt intimidated when introduced to Vig, who produced bands she admired such as Nirvana, Sonic Youth and The Smashing Pumpkins, and Vig added that the disorganized nature of auditioning alongside the Americans, not understanding Manson’s Scottish accent caused communication problems ] At the end of the live tour, Angelfish imploded and Manson returned to Smart for a second try. She began working on the then skeletal origins of some songs, and the band invited her to become a full-time member and finish the album. She co-wrote and co-produced the entire album with the rest of the band. In August 1994, Radioactive granted Manson permission to work with Garbage.[26] The band’s debut album, Garbage, was released in August 1995 and sold over 4 million copies, buoyed by a string of chart-topping singles including “Only Happy When It Rains” and “Stupid Girl”. Manson quickly became the band’s public face over the course of a tour that would take the band through late 1996. Echo & the Bunnymen had asked Manson to sing on their 1997 comeback album.

Manson became the band’s chief songwriter for the follow-up album Version 2.0, which matched the success of the band’s debut album upon its May 1998 release. During the two-year tour in support of the album, Manson modeled for Calvin Klein. Manson lived in hotels during the recording period of the debut and version 2.0.[23] The group recorded the theme song for the James Bond film The World Is Not Enough and Manson became the third Scottish woman to sing a Bond theme, after Lulu and Sheena Easton. In the accompanying video, she portrays an android assassin. For the recording of Garbage’s third record in 2000, Manson became one of the first high-profile artists to blog online while deciding to improve her guitar playing for the band’s next tour. Her third album, Beautiful Garbage, featured Manson’s most direct and personal lyrics to date. The album didn’t sell as well as its predecessors, but Garbage performed a successful world tour in support of it. During a concert at the Roskilde Festival, Manson’s voice gave out. She later discovered a vocal cord cyst and had to undergo corrective surgery.[30]

Manson’s lyrics became more overtly political for Garbage’s fourth record, 2005’s Bleed Like Me, which, following the surprise success of the lead-in single “Why Do You Love Me,” achieved some of the band’s highest chart positions upon release. Garbage began an extended hiatus in October 2005. During this time, in 2007, Garbage reformed to perform a short set at a benefit show to raise money for Wally Ingram’s medical treatment and shared song ideas over the internet ,[33] recorded new material and made a music video[ 34] to promote the band’s greatest hits compilation Absolute Garbage.[35] Garbage returned to the studio in 2010 to write and record material for a fifth album entitled Not Your Kind of People, which was subsequently released in May 2012, ending the band’s seven-year hiatus from recording.

In 2021, Garbage supported Alanis Morissette’s 2020 World Tour: Celebrating 25 Years of Jagged Little Pill, which had been postponed due to COVID-19. For several performances, Manson wore a variation of “Garden Witch Overalls,” popularized by feminist poet Kate Baer through her interview on the podcast Gee Thanks, Just Bought It, hosted by Caroline Moss. Manson paired the jumpsuit with knee-high boots and a variety of T-shirts.

Garbage’s alternative music style fuses diverse genres including electronic rock, industrial rock, punk, grunge, trip hop and shoegaze.

Solo work and unreleased album [ edit ]

“I had brought some of my solo music to the record label. They didn’t really care about the direction I was going and I found it really discouraging. They wanted a pop hit, which is what I mean by making money. I But what they were trying to ask of me was something I wasn’t willing to deliver and I felt kind of trapped. I just stopped writing. I just stopped. It was suffocating. —Shirley Manson[41]

Manson confirmed in March 2006 that she had begun work on a solo album, collaborating with musician Paul Buchanan,[38] producer Greg Kurstin[42] and film composer David Arnold[43] and stated that she had “no The project has a “schedule” for completion.[43] In 2007, Manson collaborated with Weezer’s Rivers Cuomo.[44] Manson presented some of her work to Geffen Records in 2008, which they felt was “too noir”, leading Manson and Geffen to mutually terminate their contract. Manson later elaborated, “[Geffen] wanted me to have international radio hits and be ‘the Annie Lennox of my generation.’ I am not joking; I’m quoting directly.” -radio-friendly record,” she recalls. “I’m not interested in writing nursery rhymes for the masses.”[46]

Manson continued to write material without a record deal and had been in talks with David Byrne and Ray Davies about a possible collaboration. In 2009, Manson released three demos on her Facebook profile, written by her and Kurstin, titled “In the Snow,”[42] “Pretty Horses,”[47] and “Lighten Up.”[48] “Pretty Horses” was later featured in the pilot episode of the show Conviction. 14 other songs co-written with Kurstin and registered with copyright and performing rights societies include Don’t Want To Pretend, Don’t Want Nobody Hurt, Gone Upside, Hot Shit, Kid Ourselves, Little Dough, Pure Genius, Sweet Old World, Spooky, So Shines A Good Deed, The Desert, No Regrets, Stop, To Be King.[49]

In 2009, Manson announced that she was retiring from music, saying that she was tired of the music industry’s new practices and found more excitement in acting. Manson said she considered quitting the music business in 2008 when her mother developed dementia and later died, saying, “I didn’t want to do music, didn’t feel creative. I could barely function.”[51] Later in this one year she reconsidered her words and performed again after being asked by friends to sing David Bowie’s “Life on Mars?”. at her son’s memorial. According to Manson, “We were all in so much pain, but it meant so much to them that I could sing this song and so much to me that I could do something. It made me realize how much music supports people. I don’t know why I turned my back on him.”[51]

Manson has also collaborated with a number of artists outside of her solo project, reciting a verse from a lengthy poem for a Chris Connelly album, [52] writing and recording a duet with Eric Avery for his solo debut [53] that with Debbie recorded was Harry.[54] Although Manson did not record material with them, he has also performed on stage with The Pretenders, Iggy Pop, Incubus and Kings of Leon in Atlantic City,[55] with Gwen Stefani[56] and twice with No Doubt[57] in Universal City on. Manson also appeared in an uncredited role as a dominatrix in the music video for She Wants Revenge’s single “These Things”. Most recently, Manson provided vocals on a Serj Tankian-written track entitled “The Hunger,” a single from the rock musical Prometheus Bound.[59]

In January 2012, Manson confirmed that work on her solo album had been called off, stating the album was “dead and buried. We had the funeral. It was sad and I cried a lot, but it made such a beautiful body that we had an open coffin.”[60]

craftsmanship [edit]

voice [edit]

“We wanted to work with a singer who didn’t have a high, chirpy quality to her voice, we had talked about who we really respect and names like Patti Smith and Chrissie Hynde came up. And Shirley had some of it depth.” —Steve Marker discusses Manson’s voice in an interview with the Los Angeles Times.[61]

Manson possesses an alto range[62][63] known for her distinctive qualities as well as her emotional delivery. Elysa Gardner of the Los Angeles Times stated, “One of Garbage’s most compelling traits is a force of nature: Manson’s vocals, which are capable of conveying a wide range of emotions without ever coming across as melodramatic”.

“We wanted someone who could sing decently, right now a lot of these alterna rock singers tend to scream. Shirley is just the opposite. By using understatement, she can sound even more subversive.” – Butch Vig describes Manson’s voice in an interview with the Los Angeles Times.[61]

Jon Pareles of the New York Times commented on a live performance of Garbage: “Seductress, lover, sufferer, bully – these were Ms. Manson’s personalities, since Garbage began in 1995, soul belter or a new wave frontwoman: a Shirley Bassey, a Dusty Springfield or a Chrissie Hynde. There’s a little bit of each of them in her voice, “contempt or passion”.[64] Green Left Weekly, in a review of Garbage, noted that Manson “singer and guitarist, has a powerful voice that rises and falls like a bird. She can ask or demand. She can sound dreamy or psychotic.” [65] Review a Performing Garbage live in 2012, Catherine Gee of The Daily Telegraph noted that Manson “remains a remarkable performer whose distinctive alto growl can still raise the hairs on the back of your neck.” . described Manson’s voice as “thin and airy”, while the BBC’s Mike Diver stated Manson had “a growl in her voice but was equally capable of melting away any resistance with a purr”. also added, “Even in her most vulnerable position, Manson maintains her controlling state”.

Influences and effects[edit]

Manson’s earliest musical memories are of her mother, who sang in a big band as a child. Growing up, Manson was exposed to classic jazz records, working with Nina Simone, Cher, Peggy Lee, and Ella Fitzgerald.[69] At age 14[70] she became a fan of the Siouxsie and the Banshees albums “The Scream”[71] and “Kaleidoscope” and taught herself to sing by listening to those albums “My Life”.[72] The Singer Siouxsie Sioux embodied what Manson wanted to be as a teenager,[69] and “has remained a touchstone for me throughout my career and still inspires me.”[73]

At nineteen, Manson discovered Patti Smith, particularly her album Horses, which made a “strong impression” on her. Manson was inspired to learn the guitar by Chrissie Hynde, an admirer of Manson,[75] while also appreciating the style of Toyah Willcox[76][77] and Debbie Harry[69], who were inducted into the Rock and Roll Hall of Fame in 2006 Speech was delivered by Manson.[78] The majority of Manson’s influences were female musicians; however, she also notes David Bowie as an inspirational male musician.[69] Manson also grew up with Nick Cave and the Bad Seeds, Frank Sinatra, [9] The Clash, The Sugarcubes, [79] Cocteau Twins, [79] [80] Iggy and the Stooges, [81] Echo & the Bunnymen. [82] and The Velvet Underground.[12]

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Manson’s lyrics deal with darker themes, often in a derisive manner. She attributes this to her Scottish psyche, which leads to a penchant for depressing subjects, and the fact that even with Garbage she’s always felt like an outsider – “I’m the outsider by default. I’m younger than them, they’ve all known each other for 40 years or something crazy. So I always felt like I wasn’t the center of things.”[28][83]

Manson has been credited with inspiring later women artists; including Amy Lee,[84] Florence Welch,[85][86] Taylor Momsen,[87] Liz Anjos from RAC and The Pragmatic,[88] Marissa Paternoster from Screaming Females,[89][90] Dee Dee Penny from Dum Dum Girls,[91] Skylar Grey,[92][93] Paramore’s Hayley Williams,[94] Ritzy Bryan (lead singer and guitarist of The Joy Formidable),[95] Katy Perry, Lady Gaga,[96] Potty Mouths Ally Einbinder , Billie Eilish, Peaches, Cynthia Schemmer of Radiator Hospital, Paola Rogue of The Great Wilderness, Marina and the Diamonds and Lana Del Rey. [101][102] Manson is also considered a style icon, influencing various other female artists and inspiring fashion designers and stylists.

Discography[ edit ]

Studio albums [ edit ]

The following is a list of studio albums with Manson as a member of Goodbye Mr Mackenzie (1989–1994), Angelfish (1994), and Garbage (1995–present):

Solo work[edit]

The first time Manson contributed her vocals to a project separately from one of her bands was in 1998 when she performed vocals for the chorus of a Garbage-produced remix of the 1999 Fun Lovin’ Criminals single “Korean Bodega”. Due to legal disputes related to Manson’s contractual obligation to Radioactive Records, further collaborations with Fun Lovin’ Criminals[115] and Moby[116] could not be continued.

Manson teamed up with Marilyn Manson and Tim Sköld to record a cover of the Human League’s “Don’t You Want Me” in 2004, but both felt the track was unsuitable for either act’s upcoming albums and remains unreleased. Later that year, Manson and Brody Dalle contributed backing vocals to a Queens of the Stone Age track. In 2006, Manson planned to record a John Lennon cover with bassist Eric Avery for Amnesty International’s charity compilation Instant Karma. Manson and Avery eventually co-wrote and recorded “Maybe,” a ballad duet for Avery’s Help Wanted album.

The following year, Manson collaborated with longtime friend Chris Connelly, narrated part of a lengthy poem on his eighth album Forgiveness and Exile[122] and collaborated on a duet with longtime inspiration Debbie Harry[123] that remains unfinished.[124] ] ]

When she landed the role of Catherine Weaver on The Terminator… and with encouragement from the series’ composer, Bear McCreary, Manson was asked by showrunner Josh Friedman to perform and co-create a gospel arrangement of “Samson and Delilah” for the opening episode of the second season .[125] After widespread interest, the track was released on Terminator: The Sarah Connor Chronicles Season 1 Soundtrack in late 2008. Three years later, Manson recorded vocals on a track composed by Serj Tankian and Steven Sater. Part of their rock music adaptation of Prometheus Bound, the track “The Hunger,” which Sater describes as an exploration of “the hunger of the heart,” has been recreated with fresh instrumentation and lyrics for digital release worldwide exclusively through iTunes. All proceeds from the sale of the single will benefit Amnesty International.[128]

Manson has also given Sky Ferreira two tracks; the 2012 single “Red Lips” and “I’m on Top” in 2013.

Solo performances[ edit ]

Sampling [ edit ]

In 2002, electronic group West London sampled Deep Manson’s vocals from “You Look So Fine” on their white label track “You’re Taking Me Over”. Manson refused clearance for the rehearsal and the track was scrapped. By this time the track and remixes by Inner City, Problem Kids and Desyn Masiello and Leon Roberts had already been circulated. The song was revised and re-released the following year as “Gonna Make You My Lover” without Manson’s vocals.

Other works[edit]

Acting[ edit ]

Terminator: The Sarah Connor Chronicles Manson at a promotional event for

Manson was cast in Terminator: The Sarah Connor Chronicles in May 2008[139] after being asked to act by series creator Josh Friedman and survived a multiple audition process during which he punched fellow actresses, including Julie Ann Emery.[140 ] She made her debut in the season 2 premiere episode “Samson and Delilah” as Catherine Weaver, CEO of technology company ZeiraCorp. At the end of the episode, Weaver is revealed to be a liquid metal T-1001 Terminator. Manson also performed and arranged a rock and blues version of the gospel song “Samson and Delilah” for the episode’s score. Manson cites actress Glenn Close and former British Prime Minister Margaret Thatcher as their acting influences for the ambiguous character. Manson also played the human weaver in archive footage viewed by the T-1001 in the episode “The Tower Is Tall But The Fall Is Short”.

In 2009, Manson took her first step into the video game industry by undergoing digital mapping to create an avatar of herself for the Guitar Hero franchise. In the fifth game in the series, Manson is an unlockable character, while the game also includes a licensed trash trail.

The next year, Manson was one of the last guests to appear on the cult US children’s show Pancake Mountain. In a segment entitled “Around the World with Shirley Manson” [145] she spoke about music from other countries. She filmed five such segments, but none aired before creator Scott Stuckey and producer J.J. Abrams canceled the show. A segment featuring Germany was eventually released and featured an original theme song sung by Manson and written by Stuckey.

Filmography [ edit ]

charity work[edit]

Manson has used Garbage’s profile and her own to raise awareness and secure funds for a variety of causes.[151] She commissioned a Garbage lip gloss online, with all proceeds from sales split between Grampian Children’s Cancer Research and cancer treatment facilities at the Royal Aberdeen Children’s Hospital in Scotland and Memorial Sloan Kettering Hospital in New York.

In 2001, Manson became an ambassador for the M•A•C AIDS Fund and, along with Elton John and Mary J. Blige, led their fourth biennial charity lipstick marketing campaign, which began with the launch of VIVAMAC IV lipstick in March 2002, with all proceeds from sales of the lipstick to fund AIDS charities and initiatives.[153] During his tour, Manson visited several AIDS charities in Amsterdam, Edinburgh, Toronto, New York, San Francisco and Madison to make multiple donations totaling over $300,000 on behalf of the M•A•C AIDS Fund.[ 154]

In 2003, the M•A•C AIDS Fund partnered with the Elton John AIDS Foundation to produce the White Bedroom Campaign,[153] in which both Elton John and Manson recorded PPEs promoting condom use advertise and present facts about AIDS.[155] By 2007, the combined six VIVAMAC campaigns had raised over US$100 million,[156] and as a former ambassador, Manson took a check for £51,000 on 10 April from the M•A•C AIDS on behalf of HIV charity Waverley Care Found around 2008 at Harvey Nichols in Edinburgh.[157] Manson had become a patron of Waverley Care in October 2002[158] and had previously held a fundraiser auction in January 2004 to raise funds for the charity which raised £45,000. A Fender guitar owned by Manson fetched £1,050 while other items auctioned included contributions from Manson himself, Elton John and Kylie Minogue.

Manson also adopted a rescue dog, a terrier mix named Veela,[10] named after the Veelas from the Harry Potter books.[159]

In 2008, Manson became involved with The Pablove Foundation, a charity founded by Dangerbird Records executive Jeff Castelaz, whose son Pablo succumbed to cancer the following year. Castelaz, whose family Manson befriended in the ’90s, had asked Manson to sing “Life on Mars?”. at the monument to her sons.[160] Funds raised for the Pablove Foundation fund pediatric cancer research, education and quality of life programs for families dealing with childhood cancer.[161] Manson reformed Garbage to contribute an exclusive track, “Witness to Your Love,” to a charity album for the Foundation;[162] signed a Pablove poster for auction on eBay;[161] Manson also hosted a fundraiser funded by the Silversun Pickups geleitet wurde ,[163] und trat akustisch auf der Bühne bei einer zweiten Spendenaktion mit Butch Vig und Laura Jane Grace (für eine Interpretation von “Witness…”) und mit Greg Kurstin (für eine Coverversion von Pablos Lieblingssong, David Bowies “Life auf dem Mars?”).[164]

Im Jahr 2010 spendete Shirley Manson zwei handverzierte T-Shirts an Binki Shapiros (von der Band Little Joy) Online-Wohltätigkeitsauktion „Crafts for a Cause“, um Geld für die Opfer des Erdbebens in Haiti 2010 zu sammeln. Die beiden T-Shirts brachten insgesamt 1522,00 $ ein, die an die Organisation Artists for Peace and Justice gespendet wurden.[165]

Im Januar 2015 leitete Manson Pablove 6, die sechste jährliche Spendenaktion für die Pablove Foundation. Sie hatte einen besonderen Auftritt mit der in Chicago ansässigen David Bowie-Tributband Sons of the Silent Age mit Matt Walker und Chris Connelly.

Personal life[edit]

Manson war von 1996 bis 2003 mit dem schottischen Künstler Eddie Farrell verheiratet. 2008 verlobte sich Manson mit dem Plattenproduzenten und Garbage-Toningenieur Billy Bush.[168] Sie heirateten im Mai 2010 in einem Gerichtsgebäude in Los Angeles.[169][170] Sie leben weiterhin in Los Angeles, während Manson einen Zweitwohnsitz in Joppa, einem Vorort von Edinburgh, unterhält.[6]

Manson hat sich von der organisierten Religion distanziert, interessiert sich aber seit langem für Spiritualität. Sie erinnerte sich: „Als ich sehr klein war, war ich sehr vernarrt in die Kirche, absolut. Ich liebte das Theater darin und ich war sehr involviert in all die Geschichten, die uns beigebracht wurden.“ Als sie ungefähr 12 Jahre alt war, hatte sie am Esstisch einen Streit mit ihrem Vater und schrie ihn an: “Religion ist eine Heuchelei und ich gehe nicht mehr in die Kirche, das ist nur Blödsinn.” Sie hörte auf, in die Kirche zu gehen, führte aber weiterhin jeden Sonntag theologische Debatten mit ihm. Sie wurde von der organisierten Religion desillusioniert und obwohl sie ein Interesse an Spiritualität behielt, beklagte sie sich darüber, dass sie “zu viele Beispiele heuchlerischer Spiritualisten gebürstet” habe.[171]

Manson identifiziert sich als Feministin und wurde als feministische Ikone gefeiert.[90][172][173]

See also[edit]

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