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net worth:
15 million dollars
Date of birth:
08/21/1944 (76 years old)
Gender:
Masculine
Profession:
Film director, film producer, screenwriter, actor
Nationality:
Australia
Peter Weir net worth: Peter Weir is an Australian film director and writer who has a net worth of $15 million. Peter Weir was born in August 1944 in Sydney, Australia. Weir was influential on the Australian new wave cinema scene from 1970 to 1990. He directed and/or wrote the films Man on a Green Bike (1969), Homesdale (1971) and The Cars. That Ate Paris 1974, Picnic at Hanging Rock 1975, The Last Wave 1977, The Plumber 1979, Gallipoli 1981, The Year of Living Dangerously 1982, Witness 1985, The Mosquito Coast 1986, Dead Poets Society in 1989, Green Card 1990, Fearless 1993 , The Truman Show in 1998, Master and Commander: The Far Se of the World in 2003, and The Way Back in 2010. Weir has been nominated for six Academy Awards and four Golden Globe Awards. He won BAFTA Awards for Best Director for The Truman Show and Master and Commander: The Far Se of the World.
Who is Peter Weir Why is he famous?
Peter Lindsay Weir AM (/wɪər/ WEER; born 1944) is an Australian film director. He was a leading figure in the Australian New Wave cinema movement (1970–1990), with films such as the mystery drama Picnic at Hanging Rock (1975), the supernatural thriller The Last Wave (1977) and the historical drama Gallipoli (1981).
Where did Peter Weir attend school?
Where did Peter Weir grow up?
Weir grew up in a suburb of Sydney. After briefly attending the University of Sydney, he traveled to Europe in 1965. By the time he returned to Australia the following year, he had decided on a career in entertainment.
What did Peter Weir direct?
Weir won BAFTAs for directing “The Truman Show” and “Master and Commander,” earning an additional award in Best Film for “Dead Poets Society.” He competed there again in Best Film for “Witness” and “Master and Commander,” in Best Director for “Dead Poets Society” and in Best Original Screenplay for “Green Card.” All …
Why did Peter Weir make the Truman Show?
It was the escape fantasy that got to me. I found it tremendously moving.” Rudin said he had sought out Weir because of the director’s ability “to create worlds simultaneously believable and also surreal.”
What is Peter Weir’s style?
One of the most salient characteristics of Weir’s directorial style is his capacity to convey a range of subtle and shifting emotional responses, through close-ups of the human face, as a moving image (2). He was apparently already developing this skill while working on these early documentaries.
Has Peter Weir won an Oscar?
How much did it cost to make Master and Commander?
Is Peter Jackson from New Zealand?
Sir Peter Robert Jackson ONZ KNZM (born 31 October 1961) is a New Zealand film director, screenwriter and producer.
Is Picnic at Hanging Rock a true story?
Although the events depicted in the novel are entirely fictional, it is framed as though it were a true story, corroborated by ambiguous pseudohistorical references.
Who wrote The Truman Show?
Who produced Dead Poets Society?
What should I watch after Dead Poets Society?
- Troop Zero (2020)
- The Virgin Suicides (1999)
- The History Boys (2006)
- Juno (2007)
- Mr. Holland’s Opus (1995)
- Good Will Hunting (1997)
- Akeelah and the Bee (2006)
- The Blackboard Jungle (1955)
Where did they film Dead Poets Society?
Filming started in the winter of 1988 and took place at St. Andrew’s School and the Everett Theatre in Middletown, Delaware, and at locations in New Castle, Delaware, and in nearby Wilmington, Delaware.
Is there a sequel to Master and Commander?
Produced by 20th Century studios, the new Master and Commander movie will be released in 2022 or 2023. There’s no news on who will direct or star in the movie yet, but Russell Crowe and Paul Bettany are apparently unlikely to return.
Randy Jackson: Short Biography, Net Worth \u0026 Career Highlights
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Peter Weir’s net worth, biography, fact, career, awards and life story …
Peter Weir’s net worth, biography, fact, career, awards and life story ; Net Worth: $15 Million ; Date of Birth: Aug 21, 1944 (76 years old) ; Gender: Male.
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Date Published: 12/27/2022
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Peter Weir’s net worth， biography， fact， career， awards and life …
Peter Weir’s net worth， biography， fact， career， awards and life story ; Net Worth: $15 Million ; Date of Birth: Aug 21， 1944 (76 years old) ; Gender: Male.
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Peter Weir – Net Worth, Age, Height, Bio, Birthday, Wiki!
Explore Peter Weir net worth, age, height, bio, birthday, wiki, salary, 2021! Famous Peter Weir was born on August 21, 1944 in Australia.
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Peter Weir – Wikipedia
Peter Lindsay Weir AM (/wɪər/ WEER; born 1944) is an Australian film director. He was a leading figure in the Australian New Wave cinema movement …
Source: en.wikipedia.org
Date Published: 1/23/2021
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Peter Weir’s net worth， biography， fact， career， awards and life story
Net Worth: $15 million DOB: August 21, 1944 (76 years old) Gender: Male Occupation: Film Director, Film Producer, Screenwriter, Actor Nationality: Australia
Peter Weir net worth: Peter Weir is an Australian film director and writer who has a net worth of $15 million. Peter Weir was born in August 1944 in Sydney, Australia. Weir was influential on the Australian new wave cinema scene from 1970 to 1990. He directed and/or wrote the films Man on a Green Bike (1969), Homesdale (1971) and The Cars. That Ate Paris 1974, Picnic at Hanging Rock 1975, The Last Wave 1977, The Plumber 1979, Gallipoli 1981, The Year of Living Dangerously 1982, Witness 1985, The Mosquito Coast 1986, Dead Poets Society in 1989, Green Card 1990, Fearless 1993 , The Truman Show in 1998, Master and Commander: The Far Side of the World in 2003, and The Way Back in 2010. Weir has been nominated for six Academy Awards and four Golden Globe Awards. He won BAFTA Awards for Best Director for The Truman Show and Master and Commander: The Far Side of the World.
Peter Weir
Australian film director (born 1944)
For others named Peter Weir, see Peter Weir (disambiguation)
Peter Lindsay Weir (WEER; born 1944) is an Australian film director. He was a leading figure in the Australian new wave cinema movement (1970–1990), with films such as the mystery drama Picnic at Hanging Rock (1975), the supernatural thriller The Last Wave (1977) and the historical drama Gallipoli (1981 ). . The pinnacle of Weir’s early career was the $6 million multinational production The Year of Living Dangerously (1982).
Following the success of The Year of Living Dangerously, Weir directed a diverse group of American and international films spanning most genres – many of them box office hits – including Oscar-nominated films such as the thriller Witness (1985) and the drama Dead Poets Society (1989), the romantic comedy Green Card (1990), the sci-fi social comedy The Truman Show (1998), and the epic historical drama Master and Commander: The Far Side of the World (2003). For his work on these five films, Weir personally received six Academy Award nominations as director, writer or producer.
Since 2003, Weir has only made one film, the well-received The Way Back (2010), which failed at the box office.
Early life and education[edit]
Peter Lindsay Weir was born in Sydney, New South Wales, in 1944 to Peggy (née Barnsley Sutton) and Lindsay Weir, a real estate agent.[1] Weir attended Scots College and Vaucluse Boys’ High School before studying art and law at the University of Sydney. His interest in film was sparked by meeting fellow students including Phillip Noyce and the future members of the Sydney filmmaking collective Ubu Films.
television [edit]
After leaving university in the mid-1960s, he joined Sydney television station ATN-7, where he worked as a production assistant on the groundbreaking satirical comedy The Mavis Bramston Show. During this time, Weir made his first two experimental short films, Count Vim’s Last Exercise and The Life and Flight of Reverend Buckshotte, using station facilities.
In 1969 the founders of Producers Authors Composers and Talent (now PACT Center for Emerging Artists) attended an architectural revue at the University of Sydney with sets by Geoffrey Atherden and Grahame Bond. They invited Bond, Atherden, Weir and Weir’s friend, the composer Peter Best, to a show at the National Art School. Sir Robert Helpmann saw the show and took it to the Adelaide Festival. Soon after, Weir and Best were hired to write a special Christmas TV show for ABC Television called Man on a Green Bike.
Film career[edit]
Early films[edit]
Weir took a job with the Commonwealth Film Unit (later renamed Film Australia),[3] for which he made several documentaries, including a short documentary about an underprivileged Sydney suburb, Whatever Happened to Green Valley, to which the Residents were invited to their own film segments.[4] Another notable film from this period was the short rock music performance film Three Directions in Australian Pop Music (1972), which featured color footage of three of Melbourne’s most significant rock acts of the period, Spectrum, The Captain Matchbox Whoopee Band, and Wendy Saddington. He also directed a segment of the three-part feature film Three To Go (1970), which won an AFI award from three directors.
After leaving CFU, Weir directed his first major independent film, the short feature Homesdale (1971), an offbeat black comedy. It starred aspiring young actress Kate Fitzpatrick and musician and comedian Grahame Bond, who rose to fame as the star of The Aunty Jack Show in 1972; Weir also had a small role, but this would be his last significant screen appearance. Both Homesdale and Weir CFU shorts mentioned above have been released on DVD.
Weir’s first feature-length film was the underground cult classic The Cars That Ate Paris (1974), a low-budget black comedy about the residents of a small country town who intentionally cause fatal car accidents and make a living off the proceeds. It was a minor hit in theaters but proved hugely popular in the then-thriving drive-in circuit. The plot of “Cars” was inspired by a press report Weir had read about two young English women who had meanwhile disappeared while on a driving holiday in France. With this film, Weir, along with the earlier Homesdale, established the basic thematic pattern that has prevailed throughout his career: nearly all of his feature films are about people who find themselves in some form of crisis after somehow breaking away from the world Feeling isolated from society – either physically (Witness, Mosquito Coast, The Truman Show, Master and Commander), socially/culturally (Hanging Rock Picnic, The Last Wave, Dead Poets Society, Green Card) or psychologically (Fearless).
Weir’s biggest breakthrough in Australia and internationally was the opulent, atmospheric crime film Picnic at Hanging Rock (1975), made with significant support from the government-funded South Australian Film Corporation and filmed on location in South Australia and rural Victoria. Based on the novel by Joan Lindsay and set at the turn of the 20th century, the film tells the supposedly “true” story of a group of students at an exclusive all-girls school who mysteriously disappear from a school picnic on Valentine’s Day 1900. Picnic is considered a key work of ‘Australian film renaissance’ in the mid-1970s and was the first Australian film of its era to receive both critical acclaim and extensive international theatrical releases. It also helped launch the career of internationally renowned Australian cinematographer Russell Boyd. It was widely acclaimed by critics, many of whom hailed it as a welcome antidote to the so-called “ochre film” genre epitomized by the adventures of Barry McKenzie and Alvin Purple.
Weir’s next film, The Last Wave (1977), was a supernatural thriller about a man who has terrifying visions of an imminent natural disaster. The lead role was played by American actor Richard Chamberlain, best known to Australian and global audiences as the doctor of the same name in the popular TV series Dr. Kildare was known. He later starred in the major series The Thorn Birds, set in Australia. The Last Wave was a thoughtful, ambivalent work, expanding on themes from Picnic and exploring the interactions between native Aboriginal and European cultures. It starred Aboriginal actor David Gulpilil, whose performance won the Golden Capricorn (Oscar equivalent) at the 1977 Tehran International Festival, but was only a moderate commercial success at the time.
Between The Last Wave and his next feature film, Weir wrote and directed the offbeat, low-budget telefilm The Plumber (1979).[5] It starred Australian actors Judy Morris and Ivar Kants and was shot in three weeks. Inspired by an account friends told him, it’s a dark comedy about a woman whose life is disrupted by a subtly menacing plumber. Weir achieved a major Australian hit and further international acclaim with his next film, the historical adventure drama Gallipoli (1981). Written by Australian playwright David Williamson, it is considered classic Australian cinema. Gallipoli was instrumental in helping Mel Gibson (Mad Max) become a huge star, although his co-star Mark Lee, who was also highly acclaimed for his role, has made relatively few screen appearances since.
The pinnacle of Weir’s early career was the $6 million multinational production The Year of Living Dangerously (1982), again starring Gibson, starring in a tale of journalistic loyalty, idealism, love and ambition in turmoil top Hollywood female leading lady Sigourney Weaver from Sukarno’s Indonesia in 1965. It was an adaptation of the novel by Christopher Koch, based in part on the experiences of Koch’s brother Philip, ABC’s Jakarta correspondent and one of the few Western journalists in the city during the 1965 coup attempt. The film also garnered Linda Hunt (who played a man in the film) an Academy Award for Best Supporting Actress. The film was produced by Jim McElroy, who also co-produced Weir’s first three films, The Cars That Ate Paris, Picnic at Hanging Rock and The Last Wave, with his brother Hal McElroy.
American films[edit]
Weir’s first American film was the hit thriller Witness (1985), the first of two films he directed with Harrison Ford about a boy who witnesses the murder of an undercover police officer at the hands of corrupt colleagues and for protection in his Amish community it must be hidden. Weir directed Ford in his only performance to earn an Oscar nomination, while child star Lukas Haas also received critical acclaim for his first screen performance. Witness also earned Weir his first Oscar nomination for Best Director and was his first of several films to be nominated for a Best Picture Oscar. He later won 2 for Best Film Editing and Best Original Screenplay.
It was followed by the darker, less commercial The Mosquito Coast (1986), Paul Schrader’s adaptation of the Paul Theroux novel. Ford played a man obsessed with his dream of starting a new life with his family in the Central American jungle. These dramatic parts provided Harrison Ford with important opportunities to break the typeface of his career-making roles on the series “Star Wars” and “Indiana Jones”. Both films demonstrated his ability to play more subtle and substantial characters, and he was nominated for a Best Actor Oscar for his work in Witness, the only Academy Award of his career. The Mosquito Coast is also notable for a performance by the young River Phoenix.
Weir’s next film, Dead Poets Society, was a huge international success, and Weir once again received recognition for expanding his Hollywood star’s acting palette. Robin Williams was best known for his anarchic stand-up comedy and popular TV role as the wisecracking alien on Mork & Mindy; In this film, he played an inspirational teacher in a dramatic tale of conformity and rebellion at an exclusive private school in New England in the 1950s. The film was nominated for four Academy Awards, including Best Picture and Best Director for Weir, later winning Best Original Screenplay and launching the acting careers of young actors Ethan Hawke and Robert Sean Leonard. It was a huge box office hit and is one of Weir’s best-known films for mainstream audiences.
Weir’s first romantic comedy Green Card (1990) was another casting gamble. Weir cast French screen icon Gérard Depardieu in the lead – Depardieu’s first English-language role – and paired him with American actress Andie MacDowell. Green Card was a box office hit but was seen as a less critical success, although it helped Depardieu achieve international fame. Weir received an Oscar nomination for his original screenplay.
Fearless (1993) returned to darker themes, starring Jeff Bridges as a man who believes he has become invincible after surviving a catastrophic plane crash. Although well-reviewed, particularly for the performances of Bridges and Rosie Perez – who received an Oscar nomination for Best Supporting Actress – the film was less commercially successful than Weir’s previous two films. It was submitted to the 44th Berlin International Film Festival.[7]
After five years, Weir returned to direct his biggest hit to date, The Truman Show (1998), a fantasy satire about the media’s control of life. Both a box-office and critical success, The Truman Show received positive reviews and numerous awards, including three Academy Award nominations: Andrew Niccol for Best Original Screenplay, Ed Harris for Best Actor in a Supporting Role, and Weir himself for Best Director. [citation required]
In 2003, Weir returned to historical drama with “Master and Commander: The Far Side of the World,” starring Russell Crowe. Adapted as a film adaptation of various episodes of Patrick O’Brian’s blockbuster adventure series set during the Napoleonic Wars, it was well received by critics but had only moderate success with mainstream audiences. Despite another Best Picture nomination and winning two Academy Awards—for cinematography by frequent collaborator Russell Boyd and for sound effects editing—the film’s box office success was modest ($93 million at the North American box office). The film performed slightly better overseas, grossing an additional $114 million.
Weir wrote and directed his next film, The Way Back (2010),[8] a historical epic about refugees from a Soviet gulag that was critically acclaimed but was not a financial success.
Personal life[edit]
On June 14, 1982, Weir was made a member of the Order of Australia (AM) for services to the motion picture industry.[9]
Filmography [ edit ]
Awards and nominations[edit]
References[edit]
Peter Weir Biography, Films, & Facts
Peter Weir, fully Peter Lindsay Weir (born 21 August 1944 in Sydney, Australia), Australian film director and screenwriter known for intelligent emotional drama that often explores the relationship between characters and their social environment. He contributed to a renaissance in Australian filmmaking, directing a number of acclaimed Hollywood films.
Weir grew up in the Sydney suburbs. After briefly attending the University of Sydney, he traveled to Europe in 1965. When he returned to Australia the following year, he had decided on a career in entertainment. Weir began working as a stagehand for a television station, where he and other employees made short films for fun. From 1969 he worked for the state-funded Commonwealth Film Unit as a cinematographer and director.
Weir struck out on his own in 1973, and his first feature film, the comic horror The Cars That Ate Paris (1974), which he also wrote, received some criticism. He gained an international audience with the haunting and atmospheric Picnic at Hanging Rock (1975), followed by The Last Wave (1977), which he also wrote and received better reviews in the US than in Australia. World War II drama Gallipoli (1981), based on a story by Weir and starring Mel Gibson, won eight Australian Film Institute awards and built Weir’s international reputation. His last Australian production, on which he co-wrote and directed, was the masterful The Year of Living Dangerously (1982). The drama was set around the time of President Sukarno’s fall in Indonesia and starred Gibson and Linda Hunt.
Rachel Roberts Rachel Roberts in Picnic at Hanging Rock (1975) directed by Peter Weir. British Empire Films Australia Scene from The Year of Living Dangerously Linda Hunt (right) and Mel Gibson in The Year of Living Dangerously (1982) directed by Peter Weir. © 1982 Metro-Goldwyn-Mayer Inc.
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In 1985, Weir directed his first Hollywood film Witness, a character-driven thriller for which he received an Oscar nomination. He continued to earn recognition with such films as Dead Poets Society (1989), a drama set in a 1950s boys’ prep school, The Truman Show (1998), a fable about media tyranny, and Master and Commander: The Far Side of the World (2003), a seafaring epic based on the series by Patrick O’Brian and co-written by Weir; All of the films earned Weir Oscar nominations for Best Director. His other films included The Mosquito Coast (1986), Green Card (1990), Fearless (1993) and The Way Back (2010).
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